Where do we end up when we enter the time machine that is the digital game? One axiomatic truth of historical research is that the past is the time-space that eludes human intervention. Every account made of the past is therefore only an approximation. But how is it that strolling through ancient Alexandria can feel so real in the virtual world? Claims of authenticity are prominent in discussions surrounding the digital games of our time. What is historical authenticity and does it even matter? When does authenticity or the lack thereof become political? By answering these questions, the book illuminates the ubiquitous category of authenticity from the perspective of historical game studies.
Why History in Digital Games matters Kein Zugriff Seiten 47 - 72
Autor:innen:
Social Practices of History in Digital Possibility Spaces Kein Zugriff Seiten 73 - 92
Autor:innen:
Tracing the Past with Digital Games Kein Zugriff Seiten 93 - 114
Autor:innen:
History in Video Games and the Craze for the Authentic Kein Zugriff Seiten 117 - 136
Autor:innen:
Crusading Icons Kein Zugriff Seiten 137 - 156
Autor:innen: |
The Auteur and the 80s Mixtape Kein Zugriff Seiten 157 - 178
Autor:innen:
Queer Authenticity in the History of Games Kein Zugriff Seiten 179 - 198
Autor:innen:
"If it''s a fantasy world, why bother trying to make it realistic?" Constructing and Debating the Middle Ages of THE WITCHER 3: WILD HUNT Kein Zugriff Seiten 201 - 220
Autor:innen:
How to Get Away with Colonialism Kein Zugriff Seiten 221 - 236
Autor:innen:
Toying with History Kein Zugriff Seiten 237 - 258
Autor:innen:
You Do Have Responsibility! Kein Zugriff Seiten 259 - 276
Autor:innen:
Contributors Kein Zugriff Seiten 277 - 284
Autor:innen: |
Ähnliche Veröffentlichungen
aus der Reihe "Bild und Bit. Studien zur digitalen Medienkultur"
Sammelband Vollzugriff
Vanessa Ossa, Gundolf S. Freyermuth, Isabelle Hamm, Benjamin Beil
