Music in Christian Worship Today

Dr. Basil Chukwuka Okeke

doi:10.5771/9783828879379

Zusammenfassung

"Music in Christian Worship Today" ist eine interkulturelle historische Studie über die nigerianische Praxis des Komponierens von kulturübergreifenden Liedern für den Gottesdienst. Aufgrund des interdisziplinären Charakters des Themas wendet das Buch eine musikhistorische und teilweise eine musikethnologische Methode an (Feldforschung, ergänzt durch Interviews und einen Fragebogen). Ziel ist es, das Interesse an der Erforschung der verschiedenen Erscheinungsformen von Gottesdienstmusik in multikulturellen Kontexten zu wecken, einen Beitrag zu den laufenden Bemühungen zu leisten, einer kulturell vielfältigen Glaubensgemeinschaft die aktive Teilnahme am Gottesdienst durch kulturell begründete Lieder zu ermöglichen und einige nigerianische Beispiele für Gottesdienstmusik einer größeren Leserschaft zugänglich zu machen.

Schlagworte

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Bibliographische Angaben

Copyrightjahr: 2022
ISBN-Print: 978-3-8288-4822-1
ISBN-Online: 978-3-8288-7937-9
Verlag: Tectum, Baden-Baden
Reihe: Wissenschaftliche Beiträge aus dem Tectum Verlag: Musikwissenschaft
Band: 19
Sprache: Englisch
Seiten: 324
Produkttyp: Monographie

Inhaltsverzeichnis

KapitelSeiten

Titelei/Inhaltsverzeichnis Kein Zugriff Seiten I - XXVI
1. 1. 1. 1.1.1 Early Concepts about Music Kein Zugriff
    2. 1.1.2 A Shift in the Understanding of Music Kein Zugriff
    3. 1.1.3 Towards A Broader Concept Kein Zugriff
  2. 1. 1.2.1 Method of Approach Kein Zugriff
    2. 1.2.2 Two Sides of the Same Coin Kein Zugriff
  3. 1. 1.3.1. Human Musical Behaviour Kein Zugriff
    2. 1.3.2. Human Musical Communications Kein Zugriff
    3. 1.3.3 Music as Culture-Symbolizing Kein Zugriff
  4. 1.4 Anthropology as Forerunner of Ethnomusicology Kein Zugriff
  5. 1. 1.5.1 The Term ‘Ethnomusicology’ Kein Zugriff
    2. 1.5.2 Defining the Boundaries Kein Zugriff
    3. 1.5.3 Ethnomusicological Fieldwork Kein Zugriff
  6. 1.6 Conclusion Kein Zugriff
2. 1. 2.1 Introduction Kein Zugriff
  2. 1. 2.2.1 Biblical Prelude Kein Zugriff
    2. 1. 2.2.3.1 Development of Gregorian Tradition Kein Zugriff
      2. 2.2.3.2 Gregorian Contributions Kein Zugriff
    3. 2.2.3 Carolingian Reform Kein Zugriff
    4. 1. 2.2.5.1 Medieval Faith Kein Zugriff
      2. 2.2.5.2 Medieval Music Practice Kein Zugriff
      3. 2.2.5.3 Medieval Compositional Technique Kein Zugriff
      4. 2.2.5.4 Renaissance Polyphonic Innovations Kein Zugriff
      5. 2.2.5.5 Magisterial Intervention on the New Art Kein Zugriff
    5. 1. 2.2.6.1 Immediate Cause Kein Zugriff
      2. 2.2.6.2 Remote Cause Kein Zugriff
3. 1. 3.1 Introduction Kein Zugriff
  2. 1. 3.2.1 The Role of Music in the Worship Kein Zugriff
    2. 3.2.2 The Nobility of Worship Kein Zugriff
    3. 3.2.3 The Epiphany of Sacred Texts Kein Zugriff
    4. 3.2.4 The Unity of the Assembly Kein Zugriff
    5. 3.2.5 The Beauty of Worship Kein Zugriff
    6. 3.2.6 Participation in the Worship Kein Zugriff
  3. 1. 3.3.1 The Highlights Kein Zugriff
    2. 3.3.2 The Point of Divergence Kein Zugriff
    3. 3.2.3 The Point of Convergence Kein Zugriff
  4. 1. 3.4.1 Prospects and Challenges Kein Zugriff
    2. 1. 3.4.2.1 Multicultural Kein Zugriff
      2. 3.4.2.2 Intercultural Kein Zugriff
      3. 3.4.2.3 Transcultural and Hypercultural Kein Zugriff
      4. 3.4.2.4 Cross-Cultural Kein Zugriff
  5. 3.5 Conclusion Kein Zugriff
1. 1. 4.1 Introduction Kein Zugriff
  2. 1. 4.2.1 Geographical Environment for Music Kein Zugriff
    2. 4.2.2 Population Issue and Distribution Kein Zugriff
    3. 4.2.3 Illustrative Map of Nigerian Ethnic Groups Kein Zugriff
    4. 4.2.4 Ethnicity and Some Cultural Referents Kein Zugriff
    5. 4.2.5 Linguistic Determinants Kein Zugriff
    6. 4.2.6 Religious Contexts for Music Kein Zugriff
  3. 1. 4.3.1 Initial Period of Culture-Contact (15th to 18th Century) Kein Zugriff
    2. 4.3.2 A Historical Hypothesis Kein Zugriff
    3. 4.3.3 The Actual Sowing of the Seed (19th Century) Kein Zugriff
    4. 4.3.4 The Budding of the Sown (From Late 19th to 20th Centuries) Kein Zugriff
  4. 1. 4.4.1 Musical Benefits of Mission in Nigeria Kein Zugriff
    2. 4.4.2 Early Setbacks to Development of Indigenous Worship Songs Kein Zugriff
    3. 4.4.3 Towards Authentic Indigenous Worship Songs Kein Zugriff
2. 1. 5.1 Introduction Kein Zugriff
  2. 1. 5.2.1 The Nature of African Traditional Music Kein Zugriff
    2. 5.2.2 Nigerian Traditional Music Kein Zugriff
  3. 1. 5.3.1 Ethnic Terminologies for Music Kein Zugriff
    2. 5.3.2 Traditional Thoughts und Beliefs underlying Music Kein Zugriff
  4. 1. 5.4.1 Hausa Music Tradition Kein Zugriff
    2. 5.4.2 Yoruba Music Tradition Kein Zugriff
    3. 5.4.3 Igbo Music Tradition Kein Zugriff
  5. 1. 5.5.1 Social Models Kein Zugriff
    2. 5.5.2 Religious Models Kein Zugriff
    3. 5.5.3 Historical Models Kein Zugriff
    4. 5.5.4 Utilitarian Models Kein Zugriff
  6. 5.6 Conclusion Kein Zugriff
3. 1. 6.1 Introduction Kein Zugriff
  2. 1. 6.2.1 Construction Kein Zugriff
    2. 1. 6.2.2.1 Idiophones Kein Zugriff
      2. 6.2.2.2 Membranophones Kein Zugriff
      3. 6.2.2.3 Aerophones Kein Zugriff
      4. 6.2.2.4 Chordophones Kein Zugriff
  3. 6.3 Instrumental Symbolisms Kein Zugriff
  4. 1. 1. 6.4.1.1 Speech-Song Juxtaposition/Alternation Kein Zugriff
      2. 6.4.1.2 Speech-Born Melody Kein Zugriff
    2. 6.4.2 Melodic Forms Kein Zugriff
    3. 1. 6.4.3.1 Speech Rhythm Kein Zugriff
      2. 6.4.3.2 Standard Rhythm Kein Zugriff
      3. 6.4.3.3 Bell Rhythm Kein Zugriff
      4. 6.4.3.4 Polyrhythm and Melorhythm Kein Zugriff
  5. 6.5 Conclusion Kein Zugriff
1. 1. 7.1 Introduction Kein Zugriff
  2. 7.2 Christian Faith at Crossroads of Cultures Kein Zugriff
  3. 1. 7.3.1 Translation Kein Zugriff
    2. 1. 7.3.2.1 Catholic Practice Kein Zugriff
      2. 7.3.2.2 Protestant Practice Kein Zugriff
      3. 7.3.2.3 Early Hymnals and Ecumenism Kein Zugriff
    3. 1. 7.3.3.1 Culture of Hymnody Kein Zugriff
      2. 7.3.3.2 Music Education through Mission Schools Kein Zugriff
      3. 7.3.3.3 The Beginning of Music Writing Kein Zugriff
    4. 1. 7.3.4.1 Textual Provenance and Variations Kein Zugriff
      2. 7.3.4.2 Music-Text Coherence Kein Zugriff
      3. 7.3.4.3 Content and structural Unsuitability Kein Zugriff
      4. 7.3.4.4 Problems of Musical Notation Kein Zugriff
  4. 1. 1. 7.4.1.1 Secular Melodies for Parody Kein Zugriff
      2. 7.4.1.2 Parody with Traditional dance-Song Style Kein Zugriff
      3. 7.4.1.3 Parody of Folk Song for Instruments Kein Zugriff
    2. 1. 7.4.2.1 Musicological Analysis Kein Zugriff
      2. 7.4.2.2 Compositional Problems and Considerations Kein Zugriff
    3. 1. 7.4.3.1 Musicological Analysis Kein Zugriff
      2. 7.4.3.2 Compositional Problems and Considerations Kein Zugriff
    4. 7.4.1.4 Compositional and Social Problems Kein Zugriff
  5. 7.5 Conclusion Kein Zugriff
2. 1. 8.1 Introduction Kein Zugriff
  2. 1. 1. 8.2.1.1 Nigerian Mass Kein Zugriff
      2. 8.2.1.2 Processional Songs Kein Zugriff
      3. 8.2.1.3 Indigenous Ritual Songs Kein Zugriff
      4. 8.2.2.1 Religious Music Terminologies Kein Zugriff
        8.2.2.2 Types, Styles and Instrumentation Kein Zugriff
  3. 1. 8.3.1 Textual Sources Kein Zugriff
    2. 8.3.2 Textual Analysis Kein Zugriff
  4. 1. 8.4.1 Nigerian Concept of Form Kein Zugriff
    2. 8.4.2 Musical Forms Kein Zugriff
    3. 8.4.3 Musical Analysis Kein Zugriff
    4. 8.4.4 Melodic Structure Kein Zugriff
    5. 8.4.5 Compositional Technique Kein Zugriff
    6. 8.4.6 Rhythmic Organization Kein Zugriff
  5. 1. 8.5.1 Nature and types of Church Choirs Kein Zugriff
    2. 8.5.2 Choir Rehearsal and Selection of Songs for worship Kein Zugriff
    3. 8.5.3 Choir Competition Kein Zugriff
    4. 8.5.4 Other Music Scenes from Nigeria Kein Zugriff
    5. 8.5.5 Problems and Challenges Kein Zugriff
  6. 8.6 Conclusion Kein Zugriff
3. 1. 1. 9.1.1 Research Findings Kein Zugriff
    2. 9.1.2 Making a Correct Musical Judgement Kein Zugriff
    3. 9.1.3 Pertinent Issues and Possible Resolutions and Recommendations Kein Zugriff
    4. 1. 9.1.4.1 Method for Distributing the Questionnaires Kein Zugriff
      2. 9.1.4.2 The Analysis of the Results from the questionnaire Kein Zugriff
      3. 9.1.4.3 How much singing is done at Mass in Nigeria and who is doing it? Kein Zugriff
      4. 9.1.4.4 The Extent of Music Reading Ability Kein Zugriff
      5. 9.1.4.5 Language and Style of Music: Determinants in the Placement of songs for worship in Nigeria Kein Zugriff
      6. 9.1.4.6 Summary of the Results Kein Zugriff
  2. 9.2 General Conclusion Kein Zugriff
4. Bibliography Kein Zugriff
5. Appendix Kein Zugriff
6. Abstract Kein Zugriff
7. About the Author Kein Zugriff

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