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Music in Christian Worship Today

A Cross-Cultural Historical Study of Nigerian Examples
Authors:
Publisher:
 2022

Keywords

Bibliographic data

Copyright Year
2022
ISBN-Print
978-3-8288-4822-1
ISBN-Online
978-3-8288-7937-9
Publisher
Tectum, Baden-Baden
Series
Wissenschaftliche Beiträge aus dem Tectum Verlag: Musikwissenschaft
Volume
19
Language
English
Pages
324
Product Type
Monograph

Table of contents

ChapterPages
  1. Titelei/Inhaltsverzeichnis No access I - XXVI
        1. 1.1.1 Early Concepts about Music No access
        2. 1.1.2 A Shift in the Understanding of Music No access
        3. 1.1.3 Towards A Broader Concept No access
        1. 1.2.1 Method of Approach No access
        2. 1.2.2 Two Sides of the Same Coin No access
        1. 1.3.1. Human Musical Behaviour No access
        2. 1.3.2. Human Musical Communications No access
        3. 1.3.3 Music as Culture-Symbolizing No access
      4. 1.4 Anthropology as Forerunner of Ethnomusicology No access
        1. 1.5.1 The Term ‘Ethnomusicology’ No access
        2. 1.5.2 Defining the Boundaries No access
        3. 1.5.3 Ethnomusicological Fieldwork No access
      6. 1.6 Conclusion No access
      1. 2.1 Introduction No access
        1. 2.2.1 Biblical Prelude No access
          1. 2.2.3.1 Development of Gregorian Tradition No access
          2. 2.2.3.2 Gregorian Contributions No access
        3. 2.2.3 Carolingian Reform No access
          1. 2.2.5.1 Medieval Faith No access
          2. 2.2.5.2 Medieval Music Practice No access
          3. 2.2.5.3 Medieval Compositional Technique No access
          4. 2.2.5.4 Renaissance Polyphonic Innovations No access
          5. 2.2.5.5 Magisterial Intervention on the New Art No access
          1. 2.2.6.1 Immediate Cause No access
          2. 2.2.6.2 Remote Cause No access
      1. 3.1 Introduction No access
        1. 3.2.1 The Role of Music in the Worship No access
        2. 3.2.2 The Nobility of Worship No access
        3. 3.2.3 The Epiphany of Sacred Texts No access
        4. 3.2.4 The Unity of the Assembly No access
        5. 3.2.5 The Beauty of Worship No access
        6. 3.2.6 Participation in the Worship No access
        1. 3.3.1 The Highlights No access
        2. 3.3.2 The Point of Divergence No access
        3. 3.2.3 The Point of Convergence No access
        1. 3.4.1 Prospects and Challenges No access
          1. 3.4.2.1 Multicultural No access
          2. 3.4.2.2 Intercultural No access
          3. 3.4.2.3 Transcultural and Hypercultural No access
          4. 3.4.2.4 Cross-Cultural No access
      5. 3.5 Conclusion No access
      1. 4.1 Introduction No access
        1. 4.2.1 Geographical Environment for Music No access
        2. 4.2.2 Population Issue and Distribution No access
        3. 4.2.3 Illustrative Map of Nigerian Ethnic Groups No access
        4. 4.2.4 Ethnicity and Some Cultural Referents No access
        5. 4.2.5 Linguistic Determinants No access
        6. 4.2.6 Religious Contexts for Music No access
        1. 4.3.1 Initial Period of Culture-Contact (15th to 18th Century) No access
        2. 4.3.2 A Historical Hypothesis No access
        3. 4.3.3 The Actual Sowing of the Seed (19th Century) No access
        4. 4.3.4 The Budding of the Sown (From Late 19th to 20th Centuries) No access
        1. 4.4.1 Musical Benefits of Mission in Nigeria No access
        2. 4.4.2 Early Setbacks to Development of Indigenous Worship Songs No access
        3. 4.4.3 Towards Authentic Indigenous Worship Songs No access
      1. 5.1 Introduction No access
        1. 5.2.1 The Nature of African Traditional Music No access
        2. 5.2.2 Nigerian Traditional Music No access
        1. 5.3.1 Ethnic Terminologies for Music No access
        2. 5.3.2 Traditional Thoughts und Beliefs underlying Music No access
        1. 5.4.1 Hausa Music Tradition No access
        2. 5.4.2 Yoruba Music Tradition No access
        3. 5.4.3 Igbo Music Tradition No access
        1. 5.5.1 Social Models No access
        2. 5.5.2 Religious Models No access
        3. 5.5.3 Historical Models No access
        4. 5.5.4 Utilitarian Models No access
      6. 5.6 Conclusion No access
      1. 6.1 Introduction No access
        1. 6.2.1 Construction No access
          1. 6.2.2.1 Idiophones No access
          2. 6.2.2.2 Membranophones No access
          3. 6.2.2.3 Aerophones No access
          4. 6.2.2.4 Chordophones No access
      3. 6.3 Instrumental Symbolisms No access
          1. 6.4.1.1 Speech-Song Juxtaposition/Alternation No access
          2. 6.4.1.2 Speech-Born Melody No access
        2. 6.4.2 Melodic Forms No access
          1. 6.4.3.1 Speech Rhythm No access
          2. 6.4.3.2 Standard Rhythm No access
          3. 6.4.3.3 Bell Rhythm No access
          4. 6.4.3.4 Polyrhythm and Melorhythm No access
      5. 6.5 Conclusion No access
      1. 7.1 Introduction No access
      2. 7.2 Christian Faith at Crossroads of Cultures No access
        1. 7.3.1 Translation No access
          1. 7.3.2.1 Catholic Practice No access
          2. 7.3.2.2 Protestant Practice No access
          3. 7.3.2.3 Early Hymnals and Ecumenism No access
          1. 7.3.3.1 Culture of Hymnody No access
          2. 7.3.3.2 Music Education through Mission Schools No access
          3. 7.3.3.3 The Beginning of Music Writing No access
          1. 7.3.4.1 Textual Provenance and Variations No access
          2. 7.3.4.2 Music-Text Coherence No access
          3. 7.3.4.3 Content and structural Unsuitability No access
          4. 7.3.4.4 Problems of Musical Notation No access
          1. 7.4.1.1 Secular Melodies for Parody No access
          2. 7.4.1.2 Parody with Traditional dance-Song Style No access
          3. 7.4.1.3 Parody of Folk Song for Instruments No access
          1. 7.4.2.1 Musicological Analysis No access
          2. 7.4.2.2 Compositional Problems and Considerations No access
          1. 7.4.3.1 Musicological Analysis No access
          2. 7.4.3.2 Compositional Problems and Considerations No access
        4. 7.4.1.4 Compositional and Social Problems No access
      5. 7.5 Conclusion No access
      1. 8.1 Introduction No access
          1. 8.2.1.1 Nigerian Mass No access
          2. 8.2.1.2 Processional Songs No access
          3. 8.2.1.3 Indigenous Ritual Songs No access
            1. 8.2.2.1 Religious Music Terminologies No access
            2. 8.2.2.2 Types, Styles and Instrumentation No access
        1. 8.3.1 Textual Sources No access
        2. 8.3.2 Textual Analysis No access
        1. 8.4.1 Nigerian Concept of Form No access
        2. 8.4.2 Musical Forms No access
        3. 8.4.3 Musical Analysis No access
        4. 8.4.4 Melodic Structure No access
        5. 8.4.5 Compositional Technique No access
        6. 8.4.6 Rhythmic Organization No access
        1. 8.5.1 Nature and types of Church Choirs No access
        2. 8.5.2 Choir Rehearsal and Selection of Songs for worship No access
        3. 8.5.3 Choir Competition No access
        4. 8.5.4 Other Music Scenes from Nigeria No access
        5. 8.5.5 Problems and Challenges No access
      6. 8.6 Conclusion No access
        1. 9.1.1 Research Findings No access
        2. 9.1.2 Making a Correct Musical Judgement No access
        3. 9.1.3 Pertinent Issues and Possible Resolutions and Recommendations No access
          1. 9.1.4.1 Method for Distributing the Questionnaires No access
          2. 9.1.4.2 The Analysis of the Results from the questionnaire No access
          3. 9.1.4.3 How much singing is done at Mass in Nigeria and who is doing it? No access
          4. 9.1.4.4 The Extent of Music Reading Ability No access
          5. 9.1.4.5 Language and Style of Music: Determinants in the Placement of songs for worship in Nigeria No access
          6. 9.1.4.6 Summary of the Results No access
      2. 9.2 General Conclusion No access
    4. Bibliography No access
    5. Appendix No access
    6. Abstract No access
    7. About the Author No access

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