Hey! That’s My Song!
A Guide to Getting Music Placements in Film, TV, and Media- Autor:innen:
- |
- Verlag:
- 2022
Zusammenfassung
Songwriters/composers/producers Tracey and Vance Marino have been wildly successful placing their more than three thousand music compositions in various media. They are signed with over sixty different production music libraries and music publishers, and their music is heard daily across the globe.
This guide brings together—in one book—all you need to know about writing, recording, marketing, and monetizing your music. Getting placements in film, TV, and media is not only about writing good music, it's about writing placeable music. And, after you have written placeable music, what do you do with it? Where do you find the decision-makers? How do you get all the money to which you are entitled? This book delivers the answers. You will discover…
The most important quality a piece of music should have to be licensed
Tips about crafting music specifically for sync
The tools and knowledge needed to create broadcast-quality recordings
Where to find the people and companies that can place your music
How to present and market your music
Why networking and following up with contacts are among the keys to success
The pros and cons of working solo or as part of a team
The importance of being professional while interacting with other people
How being organized and using metadata effectively will get you paid
Having music placed in various media is an extraordinarily financially lucrative area of the music business. And the Marinos are willing now to share their tips, secrets, and the steps to follow in order to succeed in the sync world.
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Bibliographische Angaben
- Copyrightjahr
- 2022
- ISBN-Print
- 978-1-4930-6111-2
- ISBN-Online
- 978-1-4930-6112-9
- Verlag
- Rowman & Littlefield, Lanham
- Sprache
- Englisch
- Seiten
- 276
- Produkttyp
- Monographie
Inhaltsverzeichnis
- Contents Kein Zugriff
- FOREWORD Kein Zugriff
- Introduction Kein Zugriff
- CHAPTER 1. Understanding the World of Sync Kein Zugriff
- CHAPTER 2. Writing Instrumentals for Sync Kein Zugriff
- CHAPTER 3. Writing Songs for Sync Kein Zugriff
- CHAPTER 4. Getting the Most from Feedback Kein Zugriff
- CHAPTER 5. Performing and Recording of Live and Virtual Instruments Kein Zugriff
- CHAPTER 6. Producing and Arranging Kein Zugriff
- CHAPTER 7. Setting Up a Home Studio and Working with Digital Audio Kein Zugriff
- CHAPTER 8. Mixing Basics and Techniques Kein Zugriff
- CHAPTER 9. Mastering and File Delivery Kein Zugriff
- CHAPTER 10. Marketing Your Music for Sync Kein Zugriff
- CHAPTER 11. Production Music Libraries Kein Zugriff
- CHAPTER 12. Sync Agencies Kein Zugriff
- CHAPTER 13. Music Publishing Companies Kein Zugriff
- CHAPTER 14. Pitching Directly to Music Supervisors Kein Zugriff
- CHAPTER 15. Networking and Building Relationships Kein Zugriff
- CHAPTER 16. Presenting Yourself and Your Music Kein Zugriff
- CHAPTER 17. The Importance of Metadata and Keywords Kein Zugriff
- CHAPTER 18. Taking Care of Business Kein Zugriff
- CHAPTER 19. Licensing Fees Kein Zugriff
- CHAPTER 20. Performance Royalties and PROs Kein Zugriff
- CHAPTER 21. Other Business Models and Income Sources Kein Zugriff
- CHAPTER 22. Understanding the Basics of Sync Music Publishing Agreements Kein Zugriff
- CHAPTER 23. Hey! That’s a Wrap! Kein Zugriff
- Glossary of Terms Kein Zugriff Seiten 217 - 230
- APPENDIX A. Sample Lyric Sheet Kein Zugriff Seiten 231 - 231
- APPENDIX B. Sample Agreements Kein Zugriff Seiten 232 - 237
- APPENDIX C. Keywords: Basic Objective Information about the Music Kein Zugriff Seiten 238 - 240
- APPENDIX D. Keywords: Sync Music Genres and Subgenres Kein Zugriff Seiten 241 - 247
- APPENDIX E. Keywords: Mood, Feel, and Vibe of the Music Kein Zugriff Seiten 248 - 252
- APPENDIX F. Keywords: Lyric Themes and Additional Sync Music Styles Kein Zugriff Seiten 253 - 254
- APPENDIX G. Keywords: Music Placement Possibilities Kein Zugriff Seiten 255 - 257
- APPENDIX H. Recommended Reading Kein Zugriff Seiten 258 - 258
- APPENDIX I. Music Trade Organizations, Conferences, and Additional Resources Kein Zugriff Seiten 259 - 261
- Special Thanks Kein Zugriff Seiten 262 - 264
- Acknowledgments Kein Zugriff Seiten 265 - 266
- Index Kein Zugriff Seiten 267 - 274
- About the Authors Kein Zugriff Seiten 275 - 276





