Music Theory for the Self-Taught Musician
Level 2: Harmony, Composition, and Improvisation- Autor:innen:
- Verlag:
- 2022
Zusammenfassung
Will Metz's main ambition in his first book, Music Theory for Self-Taught Musicians: Level 1: The Basics, was to define and introduce all the main concepts used in music theory (intervals, chords, scales, modes, etc.). He refers to these notions as "tools" because they are what musicians use to create music. Having a clear understanding of these notions is crucial, but it is only the first step . . . One must then understand how to actually use these tools and how they are combined and how they interact. More concretely, this book, Music Theory for Self-Taught Musicians: Level 2: Harmony, Composition, and Improvisation goes in depth into the notions of harmony, composition, and improvisation. It answers one of the most common and troubling questions of any musician, that is: What to play in any given musical context?
This is what music theory is all about at the end of the day—learning a bunch of relatively complex notions would make no sense if they didn’t help to compose and create music. This is not rocket science, and anyone can understand the mechanisms of harmony.
All of this is explained using the same principles that are in the first book, which means no (or very few) notes written on staff and clear, logical step-by-step explanations. As a self-taught musician, Metz would have given anything to have this book when he decided to start learning harmony and was dabbling with improvisation. Allow him to save you years of time and trial and error and to finally give you the clear and complete understanding of theory you deserve.
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Bibliographische Angaben
- Copyrightjahr
- 2022
- ISBN-Print
- 978-1-4930-6136-5
- ISBN-Online
- 978-1-4930-6137-2
- Verlag
- Rowman & Littlefield, Lanham
- Sprache
- Englisch
- Seiten
- 334
- Produkttyp
- Monographie
Inhaltsverzeichnis
- CONTENT Kein Zugriff
- PREFACE Kein Zugriff
- INTRODUCTION Kein Zugriff
- GENERAL POINTS Kein Zugriff
- MAJOR AND NATURAL MINOR SCALE Kein Zugriff
- HARMONIC AND MELODIC MINOR SCALES Kein Zugriff
- ABOUT MUSICAL CREATION Kein Zugriff
- PLAYING OVER A SINGLE BASS NOTE Kein Zugriff
- PLAYING OVER A SINGLE INTERVAL OR CHORD Kein Zugriff
- HARMONIC RHYTHM Kein Zugriff
- MODAL PROGRESSIONS Kein Zugriff
- THE CONCEPT OF KEY Kein Zugriff
- MAJOR DIATONIC TONAL HARMONY Kein Zugriff
- MINOR DIATONIC TONAL HARMONY Kein Zugriff
- CREATING MELODIES IN A TONAL CONTEXT Kein Zugriff
- MODAL INTERCHANGES AND MODAL SECTIONS Kein Zugriff
- THE BLUES Kein Zugriff
- MODAL MIXTURE AND MODULATIONS Kein Zugriff
- STANDARD MAJOR CHART Kein Zugriff
- MINOR CHART WITH MODULATION Kein Zugriff
- MODAL CHART Kein Zugriff
- EXERCISES Kein Zugriff Seiten 317 - 331
- APPENDIX Kein Zugriff Seiten 332 - 334





