The Devil in the Gallery

Noah Charney

doi:10.5771/9781538138656

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Bibliographic data

Copyright year: 2021
ISBN-Print: 978-1-5381-3864-9
ISBN-Online: 978-1-5381-3865-6
Publisher: Rowman & Littlefield, Lanham
Language: English
Pages: 184
Product type: Book Titles

1. Contents No access
2. List of Figures No access
3. Foreword No access
4. Preface No access
5. Acknowledgments No access
Introduction No access Pages 1 - 12
1. Guernica and the Monumentalizing of Scandal No access
2. Dix and the Legacy of a Victim of Scandal No access
3. Greuze, the Académie, and the Hierarchy of Genres No access
4. Courbet and the Rival Salons No access
5. Whistler and the Weight of Rejection No access
6. Manet and the Prostitutes No access
7. Koons, Leaks, and Misunderstandings No access
8. Malevich and Attention Seeking No access
9. Bronzino and Shifts in Morality and Politics No access
10. “Bad” Artists and the Fame of Scandal No access
1. Aristotle and the Art Split No access
2. Cattelan, Ai Weiwei, and Art as Prison Break No access
3. Schlegl and Burning for Attention No access
4. ISIS and the Shock of the Act against the Art No access
5. Ofili and the Shock of the Weird No access
6. Orozco and the Memento Mori No access
7. Abramović and Shock through Pain No access
8. Bernini and the Shock of the Body No access
9. Burden and Shocks That Bit Back No access
10. Shock as a Means to an End, Not an End unto Itself No access
1. Vasari and Competition for the Greater Good No access
2. Pliny and the Artistic Duel No access
3. Titian and Renaissance Rivalries No access
4. Borromini and Rivals after the Age of Vasari No access
5. Velazquez and the Ut Pictura Poesis Debate No access
6. Hirst and Institutional Battles No access
7. Lysippos and Acquisition Angst No access
8. Ai Weiwei and Patrons against Artists No access
9. The Biennale and Modern Love-Hate Relationships No access
10. Banksy and Rivalry in Economic Theory No access
11. Ulay and the Frenemies No access
Conclusion No access Pages 151 - 164
Notes No access Pages 165 - 176
Selected Bibliography No access Pages 177 - 178
Index No access Pages 179 - 182
About the Author No access Pages 183 - 184