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The Devil in the Gallery

How Scandal, Shock, and Rivalry Shaped the Art World
Authors:
Publisher:
 2021

Keywords



Bibliographic data

Copyright Year
2021
ISBN-Print
978-1-5381-3864-9
ISBN-Online
978-1-5381-3865-6
Publisher
Rowman & Littlefield, Lanham
Language
English
Pages
184
Product Type
Monograph

Table of contents

ChapterPages
    1. Contents No access
    2. List of Figures No access
    3. Foreword No access
    4. Preface No access
    5. Acknowledgments No access
  1. Introduction No access Pages 1 - 12
    1. Guernica and the Monumentalizing of Scandal No access
    2. Dix and the Legacy of a Victim of Scandal No access
    3. Greuze, the Académie, and the Hierarchy of Genres No access
    4. Courbet and the Rival Salons No access
    5. Whistler and the Weight of Rejection No access
    6. Manet and the Prostitutes No access
    7. Koons, Leaks, and Misunderstandings No access
    8. Malevich and Attention Seeking No access
    9. Bronzino and Shifts in Morality and Politics No access
    10. “Bad” Artists and the Fame of Scandal No access
    1. Aristotle and the Art Split No access
    2. Cattelan, Ai Weiwei, and Art as Prison Break No access
    3. Schlegl and Burning for Attention No access
    4. ISIS and the Shock of the Act against the Art No access
    5. Ofili and the Shock of the Weird No access
    6. Orozco and the Memento Mori No access
    7. Abramović and Shock through Pain No access
    8. Bernini and the Shock of the Body No access
    9. Burden and Shocks That Bit Back No access
    10. Shock as a Means to an End, Not an End unto Itself No access
    1. Vasari and Competition for the Greater Good No access
    2. Pliny and the Artistic Duel No access
    3. Titian and Renaissance Rivalries No access
    4. Borromini and Rivals after the Age of Vasari No access
    5. Velazquez and the Ut Pictura Poesis Debate No access
    6. Hirst and Institutional Battles No access
    7. Lysippos and Acquisition Angst No access
    8. Ai Weiwei and Patrons against Artists No access
    9. The Biennale and Modern Love-Hate Relationships No access
    10. Banksy and Rivalry in Economic Theory No access
    11. Ulay and the Frenemies No access
  2. Conclusion No access Pages 151 - 164
  3. Notes No access Pages 165 - 176
  4. Selected Bibliography No access Pages 177 - 178
  5. Index No access Pages 179 - 182
  6. About the Author No access Pages 183 - 184

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