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Rape in Period Drama Television

Consent, Myth, and Fantasy
Authors:
Publisher:
 2022

Summary

Rape in Period Drama Television considers the representation of rape and rape myths in a number of the most influential recent television period dramas. Like the corset, has become a shorthand for women's oppression in the past. Sexual violence has long been, and still is, commonplace in television period drama, often used to add authenticity and realism to shows or as a sensationalist means of chasing ratings. However, the authors illustrate that the depiction of rape is more than a mere reminder that the past was a dangerous place for women (and some men). In these series, they argue, rape functions as a kind of “anti-heritage” device that dispels the nostalgia usually associated with period television and reflects back on the current cultural moment, in which the #MeToo and #Timesup movement have increased awareness of the prevalence of sexual abuse, but in which legal and political processes have not yet caught up. In doing so, Rape in Period Drama Television sets out to explore the assumptions and beliefs which audiences continue to hold about rape, rapists, and victims.

Keywords



Bibliographic data

Copyright year
2022
ISBN-Print
978-1-7936-2585-4
ISBN-Online
978-1-7936-2586-1
Publisher
Lexington, Lanham
Language
English
Pages
144
Product type
Book Titles

Table of contents

ChapterPages
    1. Dedication No access
    2. Contents No access
    3. Acknowledgments No access
    1. Scope of the Book No access
    1. The Problem of Poldark No access
    2. “Please Make Love to Me”: When Rape Becomes Consent in Banished No access
    3. From the Eighteenth Century to the Twentieth: Rape Fantasy No access
    4. Conclusion No access
    5. Notes No access
    1. Rape, Revenge, and Male Identity on Television No access
    2. “The poor man’s heart is breaking for not knowing”: Rape in Downton Abbey No access
    3. “But It Happened to Me”: Rape in A Place to Call Home No access
    4. Campus Rape and Ku’damm 56 (Berlin Dance School 1956) No access
    5. Outlander and Collective Complicity No access
    6. Conclusion No access
    7. Note No access
    1. Male Rape by Women: Bridgerton and Outlander No access
    2. “The most graphic depiction of sexual assault on television”: Jamie’s Rape by Randall No access
    3. Fergus and Child Rape in Outlander No access
    4. Conclusion No access
    5. Notes No access
    1. Rape as a War Crime No access
    2. Rape, War, and Film No access
    3. Das Boot No access
    4. Men Who Rape No access
    5. Rape as War Crime in APTCH No access
    6. War Rape and National Identity No access
    7. Conclusion No access
    1. Procurement in Contemporary Culture No access
    2. Prostitution on Screen: Harlots No access
    3. Sexual Violence in Harlots No access
    4. Conclusion No access
    1. Marital Rape and History: The Duchess (2008) No access
    2. “She Had It Coming To Her”: The Forsyte Saga No access
    3. “Living with Her Rapist”: Marital Rape in Poldark No access
    4. Conclusion No access
    5. Notes No access
    1. Middle-Aged Women and Rape on Television: Apple Tree Yard and Mad Men No access
    2. Putting the Middle-Aged Woman in Her Place in Outlander and Peaky Blinders No access
    3. Aunt Polly’s Rape in Peaky Blinders No access
    4. Conclusion No access
    5. Notes No access
  1. Conclusion No access Pages 123 - 126
  2. Bibliography No access Pages 127 - 140
  3. Index No access Pages 141 - 142
  4. About the Authors No access Pages 143 - 144

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