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Hardcore, Punk, and Other Junk

Aggressive Sounds in Contemporary Music
Editors:
Publisher:
 2014

Summary

Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music, edited by Eric James Abbey and Colin Helb,is a collection of writings on music that is considered aggressive throughout the world. From local underground bands in Detroit, Michigan to bands in Puerto Rico or across Europe, this book demonstrates the importance of aggressive music in our society. While other volumes seek to denigrate or put down this type of music, Hardcore, Punk, and Other Junk forces the audience to re-read and re-listen to it. This category of music includes all forms that could be considered offensive and/or move the audience to become aggressive in some way. The politics and values of punk are discussed alongside the emerging popularity of metal and extreme hardcore music. Hardcore, Punk, and Other Junk is an important contribution to the newest discussions on aggressive music throughout the world.



Bibliographic data

Copyright year
2014
ISBN-Print
978-0-7391-7605-4
ISBN-Online
978-0-7391-7606-1
Publisher
Lexington, Lanham
Language
English
Pages
213
Product type
Edited Book

Table of contents

ChapterPages
    1. Contents No access
    2. Foreword No access
    3. Acknowledgments No access
    4. Introduction No access
  1. 1 Food For Thought: On Sid Vicious's Cannibalization of "My Way" No access Pages 1 - 20
  2. 2 Let the Shillelagh Fly: The Dropkick Murphys and Irish – American Hybridity No access Pages 21 - 34
  3. 3 Am I Evil? The Meaning of Metal Lyrics to Its Fans No access Pages 35 - 50
  4. 4 By Demons Be Driven? Scanning "Monstrous" Voices No access Pages 51 - 72
  5. 5 Heavy Metal Music in the Caribbean Setting: Politics and Language at the Periphery No access Pages 73 - 90
  6. 6 No Fun: Noise Music, Avant-garde Aggression, and Sonic Punishment No access Pages 91 - 106
  7. 7 The Last Report: Throbbing Gristle and Audio Extremes No access Pages 107 - 120
  8. 8 Black Metal Soul Music: Stone Vengeance and the Aesthetics of Race in Heavy Metal No access Pages 121 - 138
  9. 9 "The Time is Right to Set Our Sight on Salvation": The Strange Tale of How the Hare Krishnas Came To Play Hardcore Punk No access Pages 139 - 168
  10. 10 The Cult of Hellmouth: The Success of Contemporary Hardcore No access Pages 169 - 180
  11. Afterword No access Pages 181 - 184
  12. Bibliography No access Pages 185 - 194
  13. Contributors No access Pages 195 - 198
  14. Index No access Pages 199 - 213

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