Stimme – Instrument – Vokalität

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Titelei/Inhaltsverzeichnis No access Pages 1 - 6
Stimme – Instrument – Vokalität. Blicke auf dynamische Beziehungen in der Alten Musik No access Pages 7 - 10
Ideal und Wirklichkeit No access Pages 11 - 18 Thomas Drescher
Singing Voice and Instrumental Sound between Fact and Ideology No access Pages 19 - 28 Sergio Durante
Affetto No access Pages 29 - 44 Franco Piperno
Vokal-instrumental? No access Pages 45 - 60 Johannes Menke
A New Approach to Expressivity via Modern Neurophysiology and Renaissance Didactic Methods No access Pages 61 - 70 Anne Smith
«sonare & cantare le pronuntie delle passioni delle parole» No access Pages 71 - 92 Martin Kirnbauer
Voices, Instruments, and the Technology of Nature No access Pages 93 - 122 Rebecca Cypess
“il fine dell'Autore circa la dilettatione dell'udito” No access Pages 123 - 142 Andrew Dell'Antonio
«gran suonatore di violino in falsetto» No access Pages 143 - 158 Thomas Seedorf
Worte zur Musik No access Pages 159 - 184 Claire Genewein
The Aesthetics of Singing in Romantic Piano Playing No access Pages 185 - 224 Jeanne Roudet, Edoardo Torbianelli
Freie Beiträge No access Pages 225 - 226
Vocal Music at Literary Banquets in the Italian Renaissance No access Pages 227 - 244 James Hankins
“Divini concerti musicali […] di diverse monache” No access Pages 245 - 260 Arnaldo Morelli
Abstracts und Kurzbiographien No access Pages 261 - 277