Music from the House of Hammer
Music in the Hammer Horror Films, 1950-1980- Authors:
- Publisher:
- 1996
Summary
In the 1950s, Hammer Film Productions, a small British filmmaking company, introduced the world to a new genre of motion picture. Referred to by some as "horror," by others as "fantasy," Hammer films had a unique look and feel that many other studios would later attempt—and fail—to capture.
Hammer films also had a unique sound. For although the studio was small and the budgets limited, those involved in making the Hammer films recognized that the musical score was just as important as the set, the actors, and the script in telling the story.
Consequently, Hammer Films Productions recruited the best musical talent to make its films come alive. Those artists and the work they did are chronicled here in careful detail by Randall D. Larson. From the studio's fledging days, through its great successes of the 60s and early 70s, Music from the House of Hammer offers an inside look at how the "Hammer sound" was developed and nurtured.
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Bibliographic data
- Copyright year
- 1996
- ISBN-Print
- 978-0-8108-2975-6
- ISBN-Online
- 978-1-4616-6984-5
- Publisher
- Rowman & Littlefield, Lanham
- Language
- English
- Pages
- 195
- Product type
- Book Titles
Table of contents
- Table of Contents No access
- Acknowledgments No access
- Introduction No access
- Overture No access
- Hammer's Early Composers No access
- Malcolm Arnold No access
- Ivor Slaney No access
- John Hollingsworth No access
- Marcus Dodds No access
- Philip Martell No access
- 3: Reused Music No access Pages 15 - 16
- Beginnings in Science Fiction No access
- Dracula: Music for the Dark Lord No access
- Frankenstein Created Music No access
- Of Hounds and Mysterious Children No access
- The Gorgon No access
- Vampires, Zombies, and Devils No access
- Don Banks No access
- Humphrey Searle No access
- Leonard Salzedo No access
- Franz Reizenstein No access
- Benjamin Frankel No access
- Clifton Parker No access
- Edwin T. Astley No access
- Monty Norman and David Heneker No access
- Richard Rodney Bennett No access
- Malcolm Williamson No access
- Stanley Black No access
- Elisabeth Lutyens No access
- Carlo Martelli No access
- Wilfred Josephs No access
- Mario Nascimbene No access
- Tristram Cary No access
- Gerard Schurmann No access
- Harry Robinson and the Karnstein Trilogy No access
- David Whitaker No access
- Christopher Gunning No access
- John McCabe No access
- Laurie Johnson No access
- Don Ellis No access
- Roland Shaw No access
- Michael Vickers No access
- John Cacavas No access
- Paul Glass No access
- Douglas Gamley No access
- Alun Hoddinott No access
- Gary Hughes No access
- Richard Hartley No access
- 9: Hammer's Television Music No access Pages 147 - 152
- 10: Coda No access Pages 153 - 154
- 11: "Alas Poor Hammer, I Knew it Well" No access Pages 155 - 160
- A Composer's Filmography No access
- Music Credits by Title No access
- Recycled Music No access
- Hammer Film Music Discography No access
- Index No access Pages 185 - 194
- About the Author No access Pages 195 - 195





