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Edited Book No access
Music As Dream
Essays on Giacinto Scelsi
Editors:
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Publisher:
2013
Summary
Music as Dream: Essays on Giacinto Scelsi showcases recent scholarly criticism on the music and philosophy of the brilliantly original composer Giacinto Scelsi. In this collection, Franco Sciannameo and Alessandra Carlotta Pellegrini select and translate into English for the first time essays that reflect the evolution of recent scholarship on Scelsi’s musical compositions. Music as Dream opens with “The Scelsi Case,” which erupted shortly after Scelsi’s death in 1988 when composer Vieri Tosatti claimed ownership of his works. This quarrel reached its zenith in the pages of PianoTime’s March 1989 issue, where musicologist Guido Zaccagnini questioned a group of noted composers, writers, and arts managers about whether a composer can claim sole authorship for a work accomplished in collaboration with others.
The essays are wide-ranging in scope. French musicologist Michelle Biget-Mainfroy, a specialist in “gestural” piano writing, offers an in-depth study of Scelsi’s complex piano output; Gianmario Borio looks at Scelsi’s “Sound as Compositional Process”; Alessandra Montali examines and details Scelsi’s theoretical and literary writings; Luciano Martinis and Franco Sciannameo explore the lives and whereabouts of obscure composers Giacinto Sallustio, Walther Klein, and Richard Falk, who were Scelsi’s collaborators until the early 1940s when Tosatti took sole charge; Alessandra Carlotta Pellegrini elaborates on Scelsi’s most important composition of his first period, presenting a tour-de-force that pieces together its complex story through research at the newly organized Scelsi Archive at the Fondazione Isabella Scelsi in Rome; and Friedrich Jaecker’s and Sandro Marrocu’s essays also draw on research conducted at the archive of Fondazione. Finally, an updated bibliography and discography conclude the book
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Bibliographic data
Copyright year
2013
ISBN-Print
978-0-8108-8424-3
ISBN-Online
978-0-8108-8425-0
Publisher
Rowman & Littlefield, Lanham
Language
English
Pages
236
Product type
Edited Book
Table of contents
ChapterPages
Contents No access
Foreword No access
Acknowledgments No access
Introduction No access
1 Is Composing a Cooperative Effort? A Historical Roundtable Discussion (1989) No access Pages 1 - 10
2 Giacinto Scelsi: An Approach to Piano Writing (1990) No access Pages 11 - 40
3 Sound as Process: Scelsi and the Composers of Nuova Consonanza (1992) No access Pages 41 - 52
4 Conceptual Reflections and Literary Evolution in Giacinto Scelsi’s Works (1998) No access Pages 53 - 82
5 Who Is Walt(h)er Klein? (2003–2006) No access Pages 83 - 94
6 Expressive Atonality (2010) No access Pages 95 - 106
7 In the New World (2007) No access Pages 107 - 112
8 A Forgotten Personage: Richard Falk (2010) No access Pages 113 - 120
9 About and Around Rotativa: A Look at Young Scelsi (2011) No access Pages 121 - 142
10 Funziona? O non funziona? An Excursion through the Scelsi Archives (2011) No access Pages 143 - 156
11 The Art of “Writing” Sound (2011) No access Pages 157 - 184
