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The Amadeus Book of the Violin
Construction, History and Music- Authors:
- Publisher:
- 2023
Summary
Available for the first time in English, this book has been considered the best single encyclopedia of the violin for 20 years. All aspects of the violin are covered: construction, history, and literature; violin playing and teaching; and violin virtuosos through the ages.
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Bibliographic data
- Copyright year
- 2023
- ISBN-Print
- 978-1-57467-038-7
- ISBN-Online
- 978-1-4930-8337-4
- Publisher
- Amadeus, Lanham
- Language
- English
- Pages
- 597
- Product type
- Book Titles
Table of contents
ChapterPages
- THE AMADEUS BOOK OF THE VIOLIN No access
- CONTENTS No access
- Preface to the Revised English-language Edition No access
- Tone Production No access
- Violin Making. The wood No access
- The model No access
- Making the top and back No access
- The f holes and bass bar No access
- The rib structure No access
- Varnishing No access
- Adjusting the violin No access
- Bow Making No access
- Manual Work and Machines No access
- String Making No access
- Worm damage No access
- Cracks in the top and back No access
- Damage to the edges of the top and back, and to the ribs No access
- Various changes in the wood No access
- Loss of wood in the top and back No access
- Replacing the bass bar No access
- Damage to the varnish No access
- Correction of measurements No access
- Fingerboard repairs No access
- Pegbox repairs No access
- The Prehistory No access
- String Instruments in Thirteenth- and Fourteentli-Century Europe No access
- The Violin's Early History No access
- Musical Developments in the Fifteenth Century No access
- Viola da Gamba and Viola da Bracchio No access
- The Origin of the Violin No access
- The Violin in the Early Sixteenth Century No access
- The Rise of the Amati Family. Cremona becomes the center of violin making No access
- Gasparo da Salo and the Early Brescia School No access
- Violin Making in the Seventeenth Century. The Cremona school from Nicolo III Amati to Antonio Stradivari No access
- Violin Making in Seventeenth-Century Brescia No access
- Italian Seventeenth-Century Violin Makers outside Brescia and Cremona No access
- National Schools in Europe before 1700. Jacob Stainer No access
- Italian Violin Making in the Eighteenth Century. Antonius Stradivarius and Josephus Guarnerius del Gesu No access
- The Decline of Italian Violin Making during the Second Half of the Eighteenth Century No access
- The "Secret" of the Old Italian Luthiers No access
- The Old Italian Varnish No access
- Austria and Germany No access
- Holland and Belgium No access
- England No access
- The Iberian Peninsula No access
- The Industrialization of Violin Making No access
- Violin Collectors and Dealers No access
- Violin Making and the Development of the Natural Sciences. New experiments No access
- Italy No access
- France No access
- England No access
- The Americas No access
- The Iberian Peninsula No access
- Belgium and Holland No access
- Scandinavia and Finland No access
- Germany No access
- Switzerland No access
- Austria No access
- Czechoslovakia and Hungary No access
- Poland No access
- Russia No access
- The Balkans No access
- Turkey No access
- Japan No access
- Australia No access
- NewZealand No access
- South Africa No access
- Violin Making as a Hobby No access
- The History and Making of Violin Bows No access
- England No access
- Germany No access
- Summary and Projections No access
- Violin Playing and Teaching in the Sixteenth Century No access
- Early Seventeenth-Century Developments No access
- Monteverdi and the Violin No access
- Biagio Marini No access
- Forms of Seventeenth-Century Violin Music No access
- Farina and Virtuoso Playing No access
- Standardization of the Orchestra. Categories and formal design in orchestral music No access
- Chamber Music and Orchestral Music before Corelli No access
- Germany and Austria in the Seventeenth Century No access
- France and England in the Seventeenth Century No access
- Corelli and Violin Music at the End of the Seventeenth Century No access
- Seventeenth-Century Violin Instruction Books No access
- Torelli and the Beginnings of the Solo Concerto No access
- Antonio Vivaldi and the Solo Concerto No access
- The Origin of the Solo Cadenza No access
- Italian Violin Playing after Vivaldi. Geminiani, Somis, Veracini, Locatelli No access
- Johann Sebastian Bach's Compositions for Violin No access
- The "Bach" Bow No access
- Instruction Books from the First Half of the Eighteenth Century No access
- Mid-Century Style Changes. Johann Stamitz No access
- Giuseppe Tartini No access
- The Classic Solo Concerto No access
- Mozart's Compositions for Violin No access
- The Origins of the String Quartet. Quartets by Haydn and Mozart No access
- Orchestra Playing in the Eighteenth Century. The classical symphony No access
- Instruction Books, 1750-1800 No access
- The Etude's Origin No access
- France No access
- Germany and Austria No access
- England and other European countries No access
- The Founding of the Paris Conservatoire. The beginnings of modern music education No access
- Beethoven's Compositions for Violin No access
- Traveling Virtuosos No access
- Nicolo Paganini No access
- France and Belgium No access
- Vienna No access
- Italy No access
- Germany No access
- Bohemia No access
- Hungary No access
- Poland No access
- Russia No access
- United States No access
- England No access
- Scandinavia No access
- Spain No access
- Works for violin and orchestra No access
- Works for violin and piano (or harp) No access
- Works for unaccompanied violin No access
- Duets No access
- Nineteenth-Century Violin Pedagogy. Teaching as a science No access
- Instructional Works No access
- Otakar Sevcik, or The Perfect Method No access
- The Violinist's Physical and Mental Health. Twentieth-century problems No access
- Fritz Kreisler and Modem Violin Playing. Vibrato No access
- Fingering No access
- Works for unaccompanied violin No access
- Duets No access
- Works for violin and piano No access
- Works for violin and orchestra No access
- Violin Pedagogy since 1900 No access
- Great Twentieth-Century Violinists: Virtuosi No access
- Great Twentieth-Century Violinists: Virtuose No access
- String Quartets No access
- Into the Twenty-first Century No access
- Bibliography No access Pages 547 - 564
- Index of Names No access Pages 565 - 597





