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The Amadeus Book of the Violin

Construction, History and Music
Authors:
Publisher:
 2023

Summary

Available for the first time in English, this book has been considered the best single encyclopedia of the violin for 20 years. All aspects of the violin are covered: construction, history, and literature; violin playing and teaching; and violin virtuosos through the ages.

Keywords



Bibliographic data

Copyright year
2023
ISBN-Print
978-1-57467-038-7
ISBN-Online
978-1-4930-8337-4
Publisher
Amadeus, Lanham
Language
English
Pages
597
Product type
Book Titles

Table of contents

ChapterPages
    1. THE AMADEUS BOOK OF THE VIOLIN No access
    2. CONTENTS No access
    3. Preface to the Revised English-language Edition No access
    1. Tone Production No access
    2. Violin Making. The wood No access
      1. The model No access
      2. Making the top and back No access
      3. The f holes and bass bar No access
      4. The rib structure No access
      5. Varnishing No access
      6. Adjusting the violin No access
    3. Bow Making No access
    4. Manual Work and Machines No access
    5. String Making No access
      1. Worm damage No access
      2. Cracks in the top and back No access
      3. Damage to the edges of the top and back, and to the ribs No access
      4. Various changes in the wood No access
      5. Loss of wood in the top and back No access
      6. Replacing the bass bar No access
      7. Damage to the varnish No access
      8. Correction of measurements No access
      9. Fingerboard repairs No access
      10. Pegbox repairs No access
    1. The Prehistory No access
    2. String Instruments in Thirteenth- and Fourteentli-Century Europe No access
    3. The Violin's Early History No access
    4. Musical Developments in the Fifteenth Century No access
    5. Viola da Gamba and Viola da Bracchio No access
    6. The Origin of the Violin No access
    7. The Violin in the Early Sixteenth Century No access
    8. The Rise of the Amati Family. Cremona becomes the center of violin making No access
    9. Gasparo da Salo and the Early Brescia School No access
    10. Violin Making in the Seventeenth Century. The Cremona school from Nicolo III Amati to Antonio Stradivari No access
    11. Violin Making in Seventeenth-Century Brescia No access
    12. Italian Seventeenth-Century Violin Makers outside Brescia and Cremona No access
    13. National Schools in Europe before 1700. Jacob Stainer No access
    14. Italian Violin Making in the Eighteenth Century. Antonius Stradivarius and Josephus Guarnerius del Gesu No access
    15. The Decline of Italian Violin Making during the Second Half of the Eighteenth Century No access
    16. The "Secret" of the Old Italian Luthiers No access
    17. The Old Italian Varnish No access
      1. Austria and Germany No access
      2. Holland and Belgium No access
      3. England No access
      4. The Iberian Peninsula No access
    18. The Industrialization of Violin Making No access
    19. Violin Collectors and Dealers No access
    20. Violin Making and the Development of the Natural Sciences. New experiments No access
      1. Italy No access
      2. France No access
      3. England No access
      4. The Americas No access
      5. The Iberian Peninsula No access
      6. Belgium and Holland No access
      7. Scandinavia and Finland No access
      8. Germany No access
      9. Switzerland No access
      10. Austria No access
      11. Czechoslovakia and Hungary No access
      12. Poland No access
      13. Russia No access
      14. The Balkans No access
      15. Turkey No access
      16. Japan No access
      17. Australia No access
      18. NewZealand No access
      19. South Africa No access
    21. Violin Making as a Hobby No access
    22. The History and Making of Violin Bows No access
      1. England No access
      2. Germany No access
    23. Summary and Projections No access
    1. Violin Playing and Teaching in the Sixteenth Century No access
    2. Early Seventeenth-Century Developments No access
    3. Monteverdi and the Violin No access
    4. Biagio Marini No access
    5. Forms of Seventeenth-Century Violin Music No access
    6. Farina and Virtuoso Playing No access
    7. Standardization of the Orchestra. Categories and formal design in orchestral music No access
    8. Chamber Music and Orchestral Music before Corelli No access
    9. Germany and Austria in the Seventeenth Century No access
    10. France and England in the Seventeenth Century No access
    11. Corelli and Violin Music at the End of the Seventeenth Century No access
    12. Seventeenth-Century Violin Instruction Books No access
    13. Torelli and the Beginnings of the Solo Concerto No access
    14. Antonio Vivaldi and the Solo Concerto No access
    15. The Origin of the Solo Cadenza No access
    16. Italian Violin Playing after Vivaldi. Geminiani, Somis, Veracini, Locatelli No access
    17. Johann Sebastian Bach's Compositions for Violin No access
    18. The "Bach" Bow No access
    19. Instruction Books from the First Half of the Eighteenth Century No access
    20. Mid-Century Style Changes. Johann Stamitz No access
    21. Giuseppe Tartini No access
    22. The Classic Solo Concerto No access
    23. Mozart's Compositions for Violin No access
    24. The Origins of the String Quartet. Quartets by Haydn and Mozart No access
    25. Orchestra Playing in the Eighteenth Century. The classical symphony No access
    26. Instruction Books, 1750-1800 No access
    27. The Etude's Origin No access
      1. France No access
      2. Germany and Austria No access
    28. England and other European countries No access
    29. The Founding of the Paris Conservatoire. The beginnings of modern music education No access
    30. Beethoven's Compositions for Violin No access
    31. Traveling Virtuosos No access
    32. Nicolo Paganini No access
      1. France and Belgium No access
      2. Vienna No access
      3. Italy No access
      4. Germany No access
      5. Bohemia No access
      6. Hungary No access
      7. Poland No access
      8. Russia No access
      9. United States No access
      10. England No access
      11. Scandinavia No access
      12. Spain No access
      1. Works for violin and orchestra No access
      2. Works for violin and piano (or harp) No access
      3. Works for unaccompanied violin No access
    33. Duets No access
    34. Nineteenth-Century Violin Pedagogy. Teaching as a science No access
    35. Instructional Works No access
    36. Otakar Sevcik, or The Perfect Method No access
    37. The Violinist's Physical and Mental Health. Twentieth-century problems No access
    38. Fritz Kreisler and Modem Violin Playing. Vibrato No access
    39. Fingering No access
      1. Works for unaccompanied violin No access
      2. Duets No access
      3. Works for violin and piano No access
      4. Works for violin and orchestra No access
    40. Violin Pedagogy since 1900 No access
    41. Great Twentieth-Century Violinists: Virtuosi No access
    42. Great Twentieth-Century Violinists: Virtuose No access
    43. String Quartets No access
    44. Into the Twenty-first Century No access
  1. Bibliography No access Pages 547 - 564
  2. Index of Names No access Pages 565 - 597

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