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Fifty Years of Hemingway Criticism

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Publisher:
 2013

Summary

A master of short story, novel, and nonfiction prose, Ernest Hemingway has been the subject of countless books, articles, and biographies. The Nobel–prize winning author and his work continue to interest academics, whose studies of his personal life are frequently intertwined with examinations of his writing.

In Fifty Years of Hemingway Criticism, noted scholar Peter L. Hays has assembled a career-spanning collection of essays that explore the many facets of Hemingway—his life, his contemporaries, and his creative output. Although Hays has published on other writers, Hemingway has been his main research interest, and this selection constitutes five decades of criticism. Arranged by subject matter, these essays focus on the novels The Sun Also Rises, A Farewell to Arms, For Whom the Bell Tolls, and The Old Man and the Sea, as well as the short stories “The Undefeated,” “The Killers,” “Soldier’s Home,” and “A Clean Well-Lighted Place.” Other chapters explore Hemingway’s relationship with F. Scott Fitzgerald; teaching Hemingway in the classroom; and comparing Hemingway’s work to writers such as Eugene O’Neill, Ford Madox Ford, and William Faulkner.

When first published, some of these essays offered original views and insights that have since become standard interpretations, making them invaluable to readers. Easily accessible by both general readers and academic scholars, Fifty Years of Hemingway Criticism is an essential collection on one of America’s greatest writers.



Bibliographic data

Edition
1/2013
Copyright year
2013
ISBN-Print
978-0-8108-9283-5
ISBN-Online
978-0-8108-9284-2
Publisher
Rowman & Littlefield, Lanham
Language
English
Pages
263
Product type
Book Titles

Table of contents

ChapterPages
    1. Contents No access
    2. Acknowledgments No access
    3. Introduction No access
    4. Abbreviations of Titles Cited No access
    1. 1 Hemingway on Courage No access
    2. 2 Hemingway as Auteur No access
    3. 3 Hemingway’s Indians No access
    4. 4 Hemingway, James Bond, and Andy Warhol No access
    5. 5 The Arc of Plot in Hemingway’s Fiction No access
    6. 6 Hemingway, Nick Adams, and David Bourne No access
    7. 7 Wright, Cézanne, and Hemingway No access
    8. 8 Hemingway, PTSD, and Clinical Depression No access
    1. 9 Catullus and The Sun Also Rises No access
    2. 10 Hemingway and Henry James No access
    3. 11 Imperial Brett in The Sun Also Rises No access
    4. 12 Hunting Ritual in The Sun Also Rises No access
    5. 13 The Other Wounded Heroes of SAR No access
    6. 14 Ministrant Barkley in A Farewell to Arms No access
    7. 15 Hemingway Raids the Library for For Whom the Bell Tolls No access
    8. 16 Sex, Death, and Pine Needles in For Whom the Bell Tolls No access
    9. 17 Exchange Between Rivals No access
    1. 18 Duro No access
    2. 19 Hemingway and London No access
    3. 20 Hemingway and the Fisher King No access
    4. 21 Hemingway’s “A Clean Well-Lighted Place” and O’Neill’s The Iceman Cometh No access
    5. 22 “Soldier’s Home” and Ford Madox Ford No access
    6. 23 No Sanctuary No access
    7. 24 Hemingway’s Bartlebys No access
    1. 25 Hemingway and Fitzgerald No access
    2. 26 The Sins of the Father: Hemingway and Fitzgerald No access
    3. 27 Tennessee Williams “Outs” Scott and Ernest No access
    1. 28 My Problem in Teaching A Farewell to Arms No access
    2. 29 Teaching “Indian Camp” No access
    1. 30 Hemingway’s Playboy Interviews: Are They Genuine? No access
    2. 31 Hemingway’s Puzzles No access
    3. 32 Ailments, Accidents, and Suicide No access
  1. Works Cited No access Pages 241 - 252
  2. Index No access Pages 253 - 262
  3. About the Author No access Pages 263 - 263

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