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Guerrilla Film Scoring
Practical Advice from Hollywood Composers
Authors:
Publisher:
2015
Summary
As the movie and music industries have changed, film scoring has become an overwhelmingly independent process. Film composers have more responsibilities than ever before, and they must fulfill them with smaller budgets and shorter schedules. As a result, composers are increasingly becoming armies of one.
In Guerrilla Film Scoring: Practical Advice from Hollywood Composers,Jeremy Borum provides valuable guidance on how to make a good film score both quickly and inexpensively. This handbook encompasses the entire film scoring process including education, preparation, writing and recording a score, editing, mixing and mastering, finding work, career development, and sample contracts. Offering strategic tools and techniques, this insider’s guide draws on the expertise from a number of prominent composers in movies, television, and video gaming, including Stewart Copeland, Bruce Broughton, and Jack Wall.
A straightforward do-it-yourself manual, this book will help composers at all levels create the best-sounding scores quickly and cost effectively—without jeopardizing their art. With access to rare and extremely useful input from the best in the business, Guerrilla Film Scoring will benefit not only students but also professionals looking to update their game.
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Bibliographic data
Copyright year
2015
ISBN-Print
978-1-4422-3729-2
ISBN-Online
978-1-4422-3730-8
Publisher
Rowman & Littlefield, Lanham
Language
English
Pages
250
Product type
Book Titles
Table of contents
ChapterPages
CONTENTS No access
ACKNOWLEDGMENTS No access
INTRODUCTION: THE NEW SCORING LANDSCAPE No access
Chapter 01. EDUCATION No access
Chapter 02. TEAM BUILDING No access
Chapter 03. BEFORE YOU BEGIN No access
Chapter 04. TIME MANAGEMENT No access
Chapter 05. WRITING No access
Chapter 06. DEMOS No access
Chapter 07. SCORE PREPARATION No access
Chapter 08. PREPARING FOR SESSIONS No access
Chapter 09. THE STUDIO No access
Chapter 10. PERFORMING No access
Chapter 11. PRODUCING No access
Chapter 12. MUSIC EDITING No access
Chapter 13. MIXING AND MASTERING No access
Chapter 14. FINDING WORK No access
Chapter 15. CAREER DEVELOPMENT No access
Chapter 16. MUSIC LIBRARIES No access
Appendix A: SAMPLE CONTRACTS No access Pages 219 - 232
Appendix B: COMPOSER BIOS No access Pages 233 - 244
INDEX No access Pages 245 - 248
ABOUT THE AUTHOR No access Pages 249 - 250
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