Perspectives on Jewish Music
Secular and Sacred- Editors:
- Publisher:
- 2009
Summary
Perspectives on Jewish Music presents five unique and engaging explorations of Jewish music. Areas covered include self-expression in contemporary Jewish secular music, the rise of popular music in the American synagogue, the theological requirements of the cantor, the role of women in Sephardic music and society, and the personal reflections of a leading figure in American synagogue music. Its wide-ranging topics and disciplinary approaches give evidence for the centrality of music in Jewish religious and secular life, and demonstrate that Jewish music is as diverse as the Jews themselves. From these studies, readers will gain an appreciation of both what Jewish music is and what it does. This book will be useful for students, practitioners, and scholars of Jewish secular and religious music and Jewish cultural studies, as well as ethnomusicologists specializing in Jewish or religious music.
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Bibliographic data
- Copyright year
- 2009
- ISBN-Print
- 978-0-7391-4152-6
- ISBN-Online
- 978-0-7391-4154-0
- Publisher
- Lexington, Lanham
- Language
- English
- Pages
- 162
- Product type
- Edited Book
Table of contents
- Contents No access
- Preface No access
- Introduction No access Pages 1 - 8
- Chapter 01. A Tale of Four Diasporas: Case Studies on the Relevance of “Diaspora” in Contemporary American Jewish Music No access Pages 9 - 40
- Chapter 02. The Folk and Folk/Rock Movement of the Sixties and Its Influence on the Contemporary Jewish Worship Service No access Pages 41 - 56
- Chapter 03. Humility, Prayer, and the Cantorial Ideal No access Pages 57 - 76
- Chapter 04. Gender and Liturgy in Music: Masculine and Feminine Forms of Language and Ritual in Sephardic Secular and Sacred Music No access Pages 77 - 96
- Chapter 05. Trust the Process: My Life in Sacred Song No access Pages 97 - 136
- Selected Bibliography No access Pages 137 - 150
- Index No access Pages 151 - 160
- About the Contributors No access Pages 161 - 162





