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Duruflé's Music Considered

Authors:
Publisher:
 2020

Summary

In this book, Ronald Ebrecht has meticulously studied each of Duruflé’s works and put together the first book to discuss in detail all of Duruflé’s music. With encouragement from Duruflé’s editor and the foundation established in his name, Ebrecht has compiled copious examples from manuscript sources to be published for the first time along with the little-known contextualizing works of Messiaen and Barraine. Most widely known for his masterpiece Requiem, the composer’s orchestral gems are analyzed alongside his delightful miniature: the orchestration of the Sicilienne. The organ works which set the standard for virtuosity at conservatories around the world are given new insightful and thorough evaluation by Ebrecht, whose long association with late 19th and early 20th century France and French music affords illuminating connections between Duruflé and his predecessors and successors with sweeping insight and minute detail.

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Bibliographic data

Copyright year
2020
ISBN-Print
978-1-4985-2787-3
ISBN-Online
978-1-4985-2788-0
Publisher
Lexington, Lanham
Language
English
Pages
498
Product type
Book Titles

Table of contents

ChapterPages
    1. Contents No access
    2. Acknowledgments No access
  1. Introduction No access Pages 1 - 32
    1. Chapter One Unpublished Deux Pièces pour orgue, Scherzo, opus 2 No access
    2. Chapter Two Prélude, Adagio et Choral varié sur le “Veni Creator,” opus 4 No access
    3. Chapter Three Suite, opus 5 No access
    4. Chapter Four Prélude et Fugue sur le nom d’Alain, opus 7 No access
    5. Chapter Five Fugue sur le thème du carillon desheures de la cathédrale de Soissons,opus 12 (1962) Prélude sur l’Introït de l’Épiphanie,opus 13 (1961) Méditation, opus posthumous (1964) No access
    1. Chapter SixTryptique: Fantaisie sur des thèmesgrégoriens, opus 1, orchestrated Sicilienne, opus 5 b (1927 ?), Prélude, Récitatif et Variations, opus 3, Fugue (année 1928), Chant donné (1953) No access
    2. Chapter Seven Trois Danses, opus 6 No access
    3. Chapter Eight Orchestrated Scherzo and its Andante, opus 8 No access
    1. Chapter Nine Requiem, opus 9 No access
    2. Chapter Ten Quatre Motets, opus 10 Notre Père, opus 14 No access
    3. Chapter Eleven Messe “Cum jubilo,” opus 11 No access
  2. Bibliography No access Pages 485 - 492
  3. Index No access Pages 493 - 496
  4. About the Author No access Pages 497 - 498

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