Cover of book: Musicians' Mobilities and Music Migrations in Early Modern Europe
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Musicians' Mobilities and Music Migrations in Early Modern Europe

Biographical Patterns and Cultural Exchanges
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Publisher:
 2016

Keywords



Bibliographic data

Edition
1/2016
Copyright Year
2016
ISBN-Print
978-3-8376-3504-1
ISBN-Online
978-3-8394-3504-5
Publisher
transcript, Bielefeld
Series
Mainzer Historische Kulturwissenschaften
Volume
33
Language
English
Pages
428
Product Type
Edited Book

Table of contents

ChapterPages
  1. FrontmatterPages 1 - 1
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  2. EditorialPages 2 - 4
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  3. ContentPages 5 - 8
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  4. PrefacePages 9 - 10
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  5. Roads "which are commonly wonderful for the musicians" - Early Modern Times Musicians'' Mobility and MigrationPages 11 - 32
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  6. Migration and Biography The Case of Agostino SteffaniPages 35 - 50
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  7. "try it elsewhere [...]" - Konrad Hagius and Musician''s Mobility in Early Modern Times in Light of Local and Regional ProfilePages 51 - 72
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  8. Competition at the Catholic Court of Munich Italian Musicians and Family NetworksPages 73 - 90
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  9. From Munich to ''Foreign'' Lands and Back Again Relocation of the Munich Court and Migration of Musicians (c. 1690-1715)Pages 91 - 134
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  10. Migratory and Traveling Musicians at the Polish Royal Courts in the 17<sup>th</sup> Century The Case of Kaspar Förster the YoungerPages 135 - 150
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  11. Foreign Musicians at the Polish Court in the Eighteenth Century The Case of Pietro MiraPages 151 - 170
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  12. Luka Sorgo - a Nobleman and Composer from DubrovnikPages 171 - 184
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  13. MUSICI and MusMig Continuities and DiscontinuitiesPages 185 - 204
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  14. Musical Travels Sources of Musicians'' Tours and Migrations in the Seventeenth and Eighteenth CenturyPages 207 - 226
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  15. "… und bißhero mein Glück in der Welt zu suchen …" - Notes on the Biography of Jonas Friederich BoenickePages 227 - 240
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  16. The Russian Experience The Example of Filippo BalatriPages 241 - 254
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  17. Soloists of the Opera Productions in Brno, Holešov, Kroměříž and Vyškov Italian Opera Singers in Moravian Sources c. 1720-1740 (Part I)Pages 255 - 274
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  18. Vienna Kärntnertortheater Singers in the Letters from Georg Adam Hoffmann to Count Johann Adam von Questenberg Italian Opera Singers in Moravian Sources c. 1720-1740 (Part II)Pages 275 - 292
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  19. Estienne Roger''s Foreign ComposersPages 295 - 310
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  20. From "Sonate a quattro" to "Concertos in Seven Parts" The Acclimatization of Two Compositions by Francesco ScarlattiPages 311 - 322
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  21. Spread of Italian Libretti Maria Clementina Sobieska Stuart - a Patron of Roman OperasPages 323 - 340
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  22. Migrations of Musical Repertoire The Attems Music Collection from Around 1744Pages 341 - 378
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  23. The Case of Juraj Križanić (1619-1683?) - His Texts on Music. From Artefacts to Cultural Study (Croatian Writers on Music and The Transfer of Ideas in Their New Environments)Pages 379 - 388
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  24. People and Places in a (Music) Source. A Case Study of Giuseppe Michele Stratico and His Theoretical Treatises (Croatian Writers on Music and Transfer of Ideas in Their New Environments)Pages 389 - 402
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  25. List of ContributorsPages 403 - 408
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  26. Index of PersonsPages 409 - 424
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  27. Index of PlacesPages 425 - 428
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