Edited Book Open Access Full access
Operatic Pasticcios in 18th-Century Europe
Contexts, Materials and Aesthetics- Editors:
- |
- Series:
- Mainzer Historische Kulturwissenschaften, Volume 45
- Publisher:
- 2021
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Bibliographic data
- Edition
- 1/2021
- Copyright Year
- 2021
- ISBN-Print
- 978-3-8376-4885-0
- ISBN-Online
- 978-3-8394-4885-4
- Publisher
- transcript, Bielefeld
- Series
- Mainzer Historische Kulturwissenschaften
- Volume
- 45
- Language
- English
- Pages
- 798
- Product Type
- Edited Book
Table of contents
ChapterPages
- The World of Pasticcio Reflections on Pre-Existing T ext and MusicPages 27 - 44Authors:Download chapter (PDF)
- Italian Pasticcio Opera, 1700-1750 Practices and RepertoiresPages 45 - 68Authors:Download chapter (PDF)
- Pasticcio Practice in 18<sup>th</sup>-Century German TheaterPages 103 - 116Authors:Download chapter (PDF)
- Adaptations of Stage Directions and Stage Designs in Pietro Metastasio'' s drammi per musicaPages 117 - 152Authors:Download chapter (PDF)
- Between Dwarfs and Giants. Aesthetics of the Pasticcio between London and HamburgPages 153 - 178Authors:Download chapter (PDF)
- The Musical pasticcio: A Plea for a Readymade Ontology for the Musical WorkPages 181 - 196Authors:Download chapter (PDF)
- On the New Significance of the Pastiche in Copyright LawPages 211 - 222Authors:Download chapter (PDF)
- A Voice of Two Cities: Francesco Borosini between the Habsburg Court and the Royal AcademyPages 225 - 240Authors:Download chapter (PDF)
- Debts and Destiny New Findings on Antonio Maria Peruzzi and the Origin of His Opera Touring BusinessPages 241 - 270Authors:Download chapter (PDF)
- Italian operisti, Repertoire and the aria di baule: Insights from the Pirker CorrespondencePages 271 - 284Authors: |Download chapter (PDF)
- Dido Abandoned? Shifts of Focus and Artistic Choices in Didone Pasticcios of the Mingotti Opera T roupePages 285 - 328Authors:Download chapter (PDF)
- Palladio as a Tool for opera buffa Research. Mapping Opera Troupes and opera buffa Outside of Italy (1745-1765)Pages 329 - 346Authors: |Download chapter (PDF)
- Collaboration, Arrangement, ''Dressing'': The Different Recipes for the pasticcio alla napoletana in the First Half of the 18<sup>th</sup> CenturyPages 349 - 376Authors:Download chapter (PDF)
- Production of Opera Pasticcios in Venice in the Early 18<sup>th</sup> Century. The Impresario''s RolePages 377 - 396Authors:Download chapter (PDF)
- Artaserse (Rome, 1721), Nicola Porpora''s First PasticcioPages 397 - 424Authors:Download chapter (PDF)
- Singers of the V iennese Kärntnertortheater in the 1730s in the Light of Aria Substitutions and PasticciosPages 425 - 446Authors:Download chapter (PDF)
- The Book of Pasticcios: Listening to Ormisda''s Material TextsPages 447 - 464Authors:Download chapter (PDF)
- Borrowed Voices. Legal Ownership of Insertion Arias in 18<sup>th</sup>-Century LondonPages 465 - 484Authors:Download chapter (PDF)
- Local Conditions of Pasticcio Production and Reception: Between Prague, W rocław and MoraviaPages 485 - 506Authors:Download chapter (PDF)
- The Graz 1740 Pasticcio Amor, odio e pentimento: A Special Case or Mingottis'' s Common Practice?Pages 507 - 526Authors:Download chapter (PDF)
- A Granted Royal Wish, or Carlo Goldoni'' s La buona figliuola with Music by Niccolò Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765Pages 527 - 538Authors:Download chapter (PDF)
- Bad Habits in Theater – Late Forms of Operatic Pasticcios in Vienna Around 1800Pages 541 - 552Authors:Download chapter (PDF)
- Ballet Performance as Motivation for Pasticcio Practices – Gluck'' s and Berton''s Cythère assiégée (1775)Pages 575 - 588Authors:Download chapter (PDF)
- The Use of Extracts of Mozart'' s Operas in Polish Sacred MusicPages 589 - 608Authors:Download chapter (PDF)
- Pasticcio da chiesa: Transforming Opera Arias into an Oratorio The Case of Contrafacted Oratorios in Wrocław and Żagań from the Mid-18<sup>th</sup> CenturyPages 609 - 620Authors:Download chapter (PDF)
- Apostolo Zeno''s Venceslao (Venice 1703) and its Pasticcio Version Vincislao re di Polonia (London 1717) A Case Study with Stops in Florence, Milan and NaplesPages 623 - 658Authors:Download chapter (PDF)
- The Musical and Physical Mobility of Material in Handel SourcesPages 659 - 668Authors:Download chapter (PDF)
- Pasticcios in Darmstadt? Christoph Graupner and the Use of Non-domestic Librettos in the Early 18<sup>th</sup> CenturyPages 669 - 686Authors:Download chapter (PDF)
- Gluck''s Contribution to the Pasticcios Arsace and La finta schiavaPages 687 - 704Authors:Download chapter (PDF)
