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Interpreting the Republic

Marginalization and Belonging in Contemporary French Novels and Films
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Publisher:
 2011

Summary

Interpreting the Republic focuses on contemporary French literary and cinematic works (1986-2003) that reflect on what it means to belong to a nation such as France by giving voice to those who find themselves marginalized by French society. While citizenship and belonging can be, and indeed are, interpreted differently depending on the socio-cultural and political context, it is the foundational universalist republican principle of egalitarianism that has remained the sacred cow of French society. One of the major claims of this study is that the rigidity of French national discourse that attempts to impose a certain homogeneity in its official identificatory practices — all citizens are French, and thus difference (ethnic, sexual or other) ceases to matter — is but one of the many possible interpretations of the notion of the Republic. Vinay Swamy seeks to show how such supposedly unshakeable principles, too, can be, and often are, reinterpreted in novel ways by the works analyzed in this study, which carve out niches for their protagonists that are otherwise foreclosed in the French national space. Swamy examines the different tactics of identification deployed in works ranging from early 'romans beurs' by Azouz Begag, Farida Belghoul and Soraya Nini, and Allah Superstar, the 2003 satirical novel by Y.B., to a number of films including Gazon maudit (1995), Ma vie en rose (1997), Le Placard (2001), Chouchou (2003), all of which (re)interpret the Republic in an effort to legitimize their protagonists' otherwise marginalized social position(s). He demonstrates how all these works put pressure, in a variety of ways, on an unacknowledged understanding of the institutional positions. Vinay Swamy underscores some of the central concerns of these works, which include a quest to unravel the often-thorny questions such as 'who represents the Republic' or 'who is represented by the institution of republican ideals,' and as a corollary, 'who or what is not represented?' In privileging moments of such questioning, Interpreting the Republic underscores some of the discursive limits of the understanding of multicultural identity formation in Contemporary France.

Keywords



Bibliographic data

Copyright year
2011
ISBN-Print
978-0-7391-6536-2
ISBN-Online
978-0-7391-6538-6
Publisher
Lexington, Lanham
Language
English
Pages
174
Product type
Book Titles

Table of contents

ChapterPages
    1. Contents No access
    2. List of Abbreviations No access
    3. Acknowledgments No access
    4. Introduction No access
  1. Chapter 01. Ethnicizing the National, Nationalizing the Ethnic No access Pages 1 - 26
  2. Chapter 02. The Society of Spectacle in Post-9/11 France No access Pages 27 - 50
  3. Chapter 03. Reading Gender into Ethnicity No access Pages 51 - 80
  4. Chapter 04. Of Lesbians and Cross-dressers No access Pages 81 - 116
  5. Chapter 05. In the Shadow of the Republic No access Pages 117 - 144
  6. Conclusion No access Pages 145 - 152
  7. Filmography No access Pages 153 - 154
  8. Bibliography No access Pages 155 - 166
  9. Index No access Pages 167 - 172
  10. About the Author No access Pages 173 - 174

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