Preliminary Notes on the Possibility (or Impossibility) of Writing Ottoman Musical HistorySeiten 13 - 32 Bülent Aksoy Download Kapitel (PDF)
Concepts of Western and Ottoman Music HistorySeiten 33 - 50 Ralf Martin Jäger Download Kapitel (PDF)
Thoughts and Suggestions on Writing Turkish Music HistorySeiten 51 - 56 Ruhi Ayangil Download Kapitel (PDF)
Neither Dates nor Sources: A Methodological Problem in Writing the History of Ottoman MusicSeiten 57 - 74 Ersu Pekin Download Kapitel (PDF)
From Anatolian Edvâr (Musical Theory Book) Writers to Abdülbâkî Nâsır Dede: An Evaluation of the History of Ottoman/Turkish Music TheorySeiten 75 - 86 Nilgün Doğrusöz Download Kapitel (PDF)
The Musical “Renaissance” of Late Seventeenth Century Ottoman Turkey: Reflections on the Musical Materials of Ali Ufkî Bey (ca. 1610-1675), Hâfiz Post (d. 1694) and the “Marâghî” RepertoireSeiten 87 - 138 Walter Feldman Download Kapitel (PDF)
Post-Byzantine Musical Manuscripts as Sources for Oriental Secular Music: The Case of Petros Peloponnesios (1740-1778) and the Music of the Ottoman CourtSeiten 139 - 150 Kyriakos Kalaitzidis Download Kapitel (PDF)
Changes in the Field of Turkish Music during the Late Ottoman/Early Republican EraSeiten 151 - 166 Gönül Paçacı Download Kapitel (PDF)
The Quest for “National Music”: A Historical-Ethnographic Survey of New Approaches to Folk Music ResearchSeiten 167 - 176 Arzu Öztürkmen Download Kapitel (PDF)
An Effective Means for Representing the Unity of Opposites: The Development of Ideology Concerning Folk Music in Turkey in the Context of Nationalism and Ethnic IdentitySeiten 177 - 194 Okan Murat Öztürk Download Kapitel (PDF)
Demetrius Cantemir and the Music of his Time: The Concept of Authenticity and Types of PerformanceSeiten 211 - 230 Şehvar Beşiroğlu Download Kapitel (PDF)
