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Monographie Kein Zugriff

Women Writing Musicals

The Legacy That the History Books Left Out
Autor:innen:
Verlag:
 2024

Zusammenfassung

The first-ever book to tell the stories of over 300 inspiring women who wrote Broadway and Off-Broadway musicals that Publishers Weekly calls "an exhaustive tribute to women whose contributions to Broadway musical history have often been overlooked." Library Journal praises the book, saying, "Tepper has fashioned a winning book on the unsung heroines of Broadway musicals that will be appreciated by readers of women’s studies and theater lore." Kirkus Reviews says it's an "encyclopedic reference" and a "long-overdue tribute to female lyricists and composers."

From the composers who pounded the pavement selling their music in Tin Pan Alley at the turn of the twentieth century; to the lyricists who broke new ground writing shows during the Great Depression; to the book writers who penned protest musicals fighting for social justice during the 1970s; to those who are revitalizing the landscape of American theatre today, Women Writing Musicals tells the stories of over 300 inspiring women who wrote Broadway and Off-Broadway musicals.

Jennifer Ashley Tepper's definitive book covers prolific and celebrated Broadway writers like Betty Comden and Jeanine Tesori, women who have written musicals but gained fame elsewhere like Dolly Parton and Sara Bareilles, and dramatists you’ve never heard of—but definitely should have. Among the gems shared here are the stories of Clara Driscoll, who saved the Alamo and also wrote a Broadway musical; Micki Grant, whose mega-hit musical about the Black experience made her the first woman to write book, music, and lyrics for a Broadway show; María Grever, who made her Broadway debut at age 56 and who was the first Mexican female composer to achieve international success; and the first all-female writing team for a Broadway musical, in 1922: Annelu Burns, Anna Wynne O’Ryan, Madelyn Sheppard, and Helen S. Woodruff. This book is a treasure trove for theatre-loving readers that Tony and Emmy Award-winning actor and singer Kristin Chenoweth praises as "a wonderful resource for actors, and an important read for anyone interested in theatre."


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Bibliographische Angaben

Copyrightjahr
2024
ISBN-Print
978-1-4930-8031-1
ISBN-Online
978-1-4930-8032-8
Verlag
Rowman & Littlefield, Lanham
Sprache
Englisch
Seiten
388
Produkttyp
Monographie

Inhaltsverzeichnis

KapitelSeiten
    1. Contents Kein Zugriff
    2. Introduction Kein Zugriff
  1. 1. The Eighteenth and Nineteenth Centuries: Beginnings Kein Zugriff Seiten 1 - 8
  2. 2. 1900s: Revues, Large Teams, and Multihyphenates Kein Zugriff Seiten 9 - 30
  3. 3. 1910s: Operettas and Specialty Material Kein Zugriff Seiten 31 - 46
  4. 4. 1920s: Vaudeville Origins, One-ShowWonders, and Pop Hits Kein Zugriff Seiten 47 - 70
  5. 5. 1930s: Musicals of the Great Depression Kein Zugriff Seiten 71 - 94
  6. 6. 1940s: Hit Tunesmiths with Broadway Flops, Writers with Major Careers in Other Fields, and the Longest-RunningTeam in Broadway History Kein Zugriff Seiten 95 - 116
  7. 7. 1950s: Comedians, Radio Personalities, and Women at the Piano Kein Zugriff Seiten 117 - 136
  8. 8. 1960s: Family Musicals, Musical Families, and Conceiver Credits Kein Zugriff Seiten 137 - 164
  9. 9. 1970s: Protest Musicals, Female Teams, and Writers of Color Kein Zugriff Seiten 165 - 202
  10. 10. 1980s: Jukebox Musicals and a Return to Revues Kein Zugriff Seiten 203 - 242
  11. 11. 1990s: Disney, Blues Music, and Autobiographical Work Kein Zugriff Seiten 243 - 274
  12. 12. 2000s: Tongue-in-Cheek Comedy, Jukebox Phenomena, and New Media Kein Zugriff Seiten 275 - 308
  13. 13. 2010s: Celebrities, Playwrights, and Crossover Artists Kein Zugriff Seiten 309 - 346
  14. Acknowledgments Kein Zugriff Seiten 347 - 348
  15. Index of Musicals: Chronologically by Opening Date Kein Zugriff Seiten 349 - 368
  16. Index Kein Zugriff Seiten 369 - 388

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