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Book Titles No access
Women Writing Musicals
The Legacy That the History Books Left Out
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Publisher:
2024
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Bibliographic data
Copyright year
2024
ISBN-Print
978-1-4930-8031-1
ISBN-Online
978-1-4930-8032-8
Publisher
Rowman & Littlefield, Lanham
Language
English
Pages
388
Product type
Book Titles
Table of contents
ChapterPages
Contents No access
Introduction No access
1. The Eighteenth and Nineteenth Centuries: Beginnings No access Pages 1 - 8
2. 1900s: Revues, Large Teams, and Multihyphenates No access Pages 9 - 30
3. 1910s: Operettas and Specialty Material No access Pages 31 - 46
4. 1920s: Vaudeville Origins, One-ShowWonders, and Pop Hits No access Pages 47 - 70
5. 1930s: Musicals of the Great Depression No access Pages 71 - 94
6. 1940s: Hit Tunesmiths with Broadway Flops, Writers with Major Careers in Other Fields, and the Longest-RunningTeam in Broadway History No access Pages 95 - 116
7. 1950s: Comedians, Radio Personalities, and Women at the Piano No access Pages 117 - 136
8. 1960s: Family Musicals, Musical Families, and Conceiver Credits No access Pages 137 - 164
9. 1970s: Protest Musicals, Female Teams, and Writers of Color No access Pages 165 - 202
10. 1980s: Jukebox Musicals and a Return to Revues No access Pages 203 - 242
11. 1990s: Disney, Blues Music, and Autobiographical Work No access Pages 243 - 274
12. 2000s: Tongue-in-Cheek Comedy, Jukebox Phenomena, and New Media No access Pages 275 - 308
13. 2010s: Celebrities, Playwrights, and Crossover Artists No access Pages 309 - 346
Acknowledgments No access Pages 347 - 348
Index of Musicals: Chronologically by Opening Date No access Pages 349 - 368
Index No access Pages 369 - 388
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