On Beauty of Artworks as Aesthetic True Representations of Reality

Dan Nesher

doi:10.5771/9780761872962

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Erscheinungsjahr: 2022
Erscheinungsdatum: 03.05.2022
ISBN-Print: 978-0-7618-7295-5
ISBN-Online: 978-0-7618-7296-2
Verlag: Hamilton Books, Lanham
Sprache: Englisch
Seiten: 356
Produkttyp: Monographie

Inhaltsverzeichnis

KapitelSeiten

1. Contents Kein Zugriff
2. List of Figures Kein Zugriff
3. Acknowledgments Kein Zugriff
1. The Philosophical Problem of the Beauty and Truth of Created Artworks in Aesthetic Representation of Reality Kein Zugriff
2. The Epistemology of Aesthetic Science and How We Can Judge by the Epistemic Logic the Aesthetical Objective Truth and Beauty of Created Artworks Kein Zugriff
3. The Origins of My Inquiries on the Nature of the Aesthetic Science and Then, What, After All, is a Work of Art? Kein Zugriff
4. The Difficulty That My Inquiries on the Philosophy of Aesthetic and Theoretical Sciences Have Faced Within the Established Neo-Kantian Philosophical Paradigm, in the Attempts to Develop a Peircean Realist Epistemology Kein Zugriff
1. 1. Human Cognition Can Be a Meaningful Representation of Reality Kein Zugriff
  2. The Pragmaticist Realist Epistemology Explaining Our Meaning Interpretation of Cognitions in Their True Representation of Reality and the Nature of an Aesthetic Representation of It Kein Zugriff
  3. The Nature of the Artist’s Aesthetic Creation and Representation of Reality Kein Zugriff
2. 1. The Nature of the Judgment of Beauty Kein Zugriff
  2. How Do We Make Our Aesthetic Judgment of Artworks Objective? Kein Zugriff
  3. How to Make Our Conception of Beauty Clear and Distinct? Kein Zugriff
3. 1. Kant’s Pure Aesthetic Judgment of Reflection on the Harmony of Faculties That Determines the Feeling of Pleasure and Beauty Kein Zugriff
  2. Kant’s Aesthetic Theory of the Creation of Artwork: On the Genius Kein Zugriff
  3. Kant’s Two Aesthetic Theories: Genius’s Creativity and Aesthetic Judgment of Taste Kein Zugriff
4. 1. Analytic Philosophy’s Formal Semantic Conception of Interpretation and the Referential Representation of Physical Reality, and Its Shortcomings Kein Zugriff
  2. The Phenomenological Hermeneuticians’ Conceptions of Interpreting and Representing Being as Truth, and Their Shortcomings Kein Zugriff
  3. The Function of Reflective Self-Control of Interpretation and Representation of Physical Reality and Psychical Reality as Two Operations of Human Knowledge Kein Zugriff
5. 1. Artistic Creations Are Based on Human Experience Epitomized in Aesthetic Modes of Representing Reality Kein Zugriff
  2. Is the Beauty of an Artwork Only of Subjective Feeling or is Objective in Respect to the Artistic Experience and Creation in Its True Representation of Reality? Kein Zugriff
  3. Interpretation is Always of Cognitive Signs in Their Operation of Representing Reality Kein Zugriff
6. 1. The Aesthetic Knowledge and Its Function in Human Life Kein Zugriff
  2. The Creation of Artworks From the Artistic Human Life Experience and How They Represent and Affect it Kein Zugriff
  3. The Complete Proof of Our Cognitive Signs is the Sequence of the Logical Trio of Abduction, Deduction, and Induction Kein Zugriff
7. 1. The Aesthetic Evaluations of Works of Art as Beautiful Are Self-conscious Reflective Judgments by Proving Their True Interpretation and Representation of Reality Kein Zugriff
  2. The Pragmaticist Epistemology Explains the Instinctive Reflective Act of Comparison Kein Zugriff
  3. The Evaluation of the Artwork Can Determine and Indicate Its Truth and Beauty Kein Zugriff
1. 1. Can We Elucidate Our Understanding of Created Artworks by Considering Them Fictions or Ideal Thoughts? Kein Zugriff
  2. How Can Created Artworks Cognitively Represent Human Reality? Kein Zugriff
  3. What Is the Origin and the Cognitive Function of the “Fictional Make-Believe” Artworks? Kein Zugriff
2. 1. Analytic Philosophy’s Conception of Referential Interpretation is Isolated from Reality Kein Zugriff
  2. The Phenomenological Interpretation of Cognitive-Phenomenal Reality Remains Subjective and Illusory Kein Zugriff
  3. In Distinction From Formal Semanticists and Phenomenalists, the Peircean Realist Epistemology Can Prove the True Representation of Reality Kein Zugriff
3. 1. Peircean Pragmaticist Epistemology Explains Our Confrontation in Reality and How We Can Prove the Truth of Representing It Kein Zugriff
  2. The Siamese Twins of Interpretational and Representational Relations in Representing Reality Kein Zugriff
  3. How Aesthetic Metaphors of Artworks Truly and Beautifully Represent Reality Kein Zugriff
4. 1. The Aesthetic Artworks Specific Mode of Representing Reality, and Who Do the Fictional Characters of Hamlet and Ophelia Refer to? Kein Zugriff
  2. Can Theories of Meaning and Truth of the Artistic Work Explain Also its Aesthetic Beauty? Kein Zugriff
  3. Peircean Epistemic Logic Representing Our Confrontation in Reality to Explain How Theories, Moral Rules, and Aesthetic Metaphors Have Different Modes of Representing Reality Kein Zugriff
5. 1. Different Modes of Representing Reality Are Distinguished from Formal Perceptual References Kein Zugriff
  2. Representational Realism Versus Radical Phenomenalism: Scientific Theories, Moral Rules, and Aesthetic Artworks, Representing Reality upon Perceptual Facts Kein Zugriff
  3. Walton on Mimesis as Make-Believe and his Confusions: Truth Cannot be in the Aesthetic “Worlds” as Modes of Representation but in Their Relation to Reality Kein Zugriff
6. 1. Aesthetic Artworks Are Not Fiction, but Represent Reality upon Perceptual Facts and Common-Sense Knowledge Kein Zugriff
  2. The Creators and The Beholders of Artworks Evaluate Their True Representation of Reality Kein Zugriff
  3. The Aesthetic Knowledge of Reality: How Beauty of the Artworks Is in Their True Representation of Reality Kein Zugriff
1. 1. Can Kant Explain Artistic Creativity and the Aesthetic Experiential Evaluation of Artworks? Kein Zugriff
  2. The Reflective Aesthetic Judgment of Beauty and How Judgments Can Be Objective Knowledge Kein Zugriff
  3. The Subject Can Prove the Truth of Judgments to Be Objective Representations of Reality Kein Zugriff
2. 1. The Nature and the Role of the Power of Judgment in Kant’s Transcendental Epistemology Kein Zugriff
  2. The Three Conceptions of Judgment in Kant’s Transcendental Epistemology: Logical, Moral, and Aesthetical Kein Zugriff
  3. Peircean Pragmaticist-Realist Examination of Kant’s Transcendental Epistemology of Judgment Kein Zugriff
3. 1. Kant’s Epistemology of Sensual Experience and the Theoretical and Aesthetical Judgments Kein Zugriff
  2. Empirical Concepts Are the Core of Kant’s Conception of Knowledge, Based on Logical Judgment Kein Zugriff
  3. The Epistemology of the Perceptual Judgments of Kantian Transcendentalism and Peircean Realism: Theoretical Judgment and Aesthetic Judgment of Artworks and Their Representations of Reality Kein Zugriff
4. 1. The Difficulties in the Epistemology of Aesthetic Reflection of Pleasure and Judgment of Beauty Kein Zugriff
  2. Kant’s Epistemology of Aesthetic Experience and Aesthetic Judgments in Evaluation of the Beauty of Artworks and of Natural and Artificial Objects Kein Zugriff
  3. Kant’s Two Aesthetic Theories of Art: Genius Creativity and Judgment of Aesthetic Pleasure Kein Zugriff
5. 1. In Contrast to Kant’s Logical Judgment, Different Modes of Judgment Represent Reality Kein Zugriff
  2. The Deadlock in Kant’s Essential Connection between the Transcendental and the Empirical, and the Proposed Alternative Epistemology Kein Zugriff
  3. Kant’s Basic Epistemology Problem with Combining Empirism and Rationalism: Peircean Theory of Truth and Representation of Reality—The Harmony of Ego and Non-Ego Kein Zugriff
6. 1. Why Kant’s Aesthetic Judgment of Artworks Cannot Be Valid: Difficulty with Harmony of Faculties Kein Zugriff
  2. Peircean Epistemology Overcoming Kant’s Categorical Confusion in Systemizing Philosophy, in his Three Critiques of Different Mental Powers Kein Zugriff
  3. The Subject Can Prove the Objective Beauty of an Artwork as a True Aesthetic Representation of Reality Kein Zugriff
1. Artworks as Aesthetic Representation of Reality: Beauty, Ugliness, and Kitsch Kein Zugriff
2. Hermeneuticians’ Difficulties with the Concept of True Interpretation Kein Zugriff
3. Wittgenstein and the Paradox of Interpretation Kein Zugriff
4. Kant’s Paradox of Genius: Free Creation and Natural Determination Kein Zugriff
5. Free Creation as Determinate Self-Control, True Interpretation and Representation Kein Zugriff
6. Artistic Creation with Evaluation: Beauty, Ugliness and Kitsch Kein Zugriff
1. 1. Kantian Abyss between Rationalism and Empiricism and the Dichotomy Between Objective Theoretical Cognitive Judgment and Subjective Aesthetic Reflective Judgment Kein Zugriff
  2. How to Revise and Reconstruct Kantian Epistemology in Order to Explain Scientific Theories, Knowledge of the Norms of Action, and Aesthetic Epitomes as Knowledge of Human Life Kein Zugriff
  3. The Essentials of Pragmaticist Epistemology for Bridging the Abyss between Rationalism and Empiricism, Objectivism and Subjectivism, and Creation and Evaluation Kein Zugriff
2. 1. Kant’s Three Types of Judgments: Theoretical, Practical, and Aesthetic Kein Zugriff
  2. The Structures of the Three Kantian Types of Judgments, and Their Applications Kein Zugriff
  3. Why Kant Cannot Prove the Truth of Judgments in His Three Critiques: The Peircean Solution Kein Zugriff
3. 1. Kant on Theoretical [Logical] and Aesthetic [Reflective] Judgments Kein Zugriff
  2. The Reflective Manner (modus aestheticus) of Aesthetics and Method (modus logicus) of Science Kein Zugriff
  3. Peirce on Degrees of Self-Control to Eliminate Kant’s Dichotomy Between Logical and Aesthetic Modes of Representation Kein Zugriff
4. 1. Kant’s Two Separated Aesthetic Theories: Genius Creativity and Aesthetic Judgment of Taste Kein Zugriff
  2. Why the Kantian Theory of Genius Cannot Operate without Following Rules of Harmony Between Ideas of Understanding and Imagination to Create and Evaluate the Beauty of Artwork Kein Zugriff
  3. The Pragmaticist’s Way Out of the Kantian Destructive Dilemma Between the Freedom of Imagination and the Determination of Understanding in Creating and Evaluating Artworks Kein Zugriff
5. 1. Kant’s Missing Link in the Chain of Genius Creation: Abductive Discovery of Intellectual Ideas Kein Zugriff
  2. Why Kant Cannot Explain the Validity and Objectivity of the Aesthetic Judgment of Taste Kein Zugriff
  3. There is No True Aesthetic Judgment without Confronting and Representing Reality: Peircean Trio Kein Zugriff
6. 1. Self-Control in Following the Rules of Free Creation of Artwork is Only Through its True Aesthetic Representation of Reality Kein Zugriff
  2. How Is the Creative Artwork Proved to Be a True and Beautiful Representation of Reality? Kein Zugriff
  3. How to Distinguish among Beautiful, Ugly, and Kitschy Artworks? Kein Zugriff
1. Introduction: Probing Kant on the Role of Productive Imagination in Artistic and Scientific Creating and Discovering New Modes of Representing Reality Kein Zugriff
2. 1. Kant’s Division Between Theoretical Logical Judgment and Aesthetic Reflective Judgment Kein Zugriff
  2. Kant’s Conception of Judgment and Its Difficulties in His Three Critiques Kein Zugriff
  3. The Pragmaticist Overcomes Kant’s Narrow Conception of Judgment by the Epistemic Logic of the Trio Kein Zugriff
3. 1. Can the Artist Play Freely with Productive Imagination in the Creation of Exemplary Artwork? Kein Zugriff
  2. The Conception of Aesthetic Experience and Creativity Kein Zugriff
  3. Reflective Self-Control of the Productive Imagination in Creating the Aesthetic Product Kein Zugriff
4. 1. Sensual Intuition and Intellectual Intuition in the Discovery of New Concepts and Hypotheses Kein Zugriff
  2. The Role of Intellectual Intuition of Productive Imagination in the Recombination of Scientists’ Background Knowledge in Discovering New Hypotheses Kein Zugriff
  3. The Self-Conscious and Self-Control Aspect of Intellectual Intuition in Discovering a New Hypothesis Kein Zugriff
5. 1. The Roles of “Productive Imagination” in Artistic New Exemplary Representations of Reality Kein Zugriff
  2. The Roles of “Productive Imagination” in Scientific Discovery of a New Picture of Reality Kein Zugriff
  3. Artists and Scientists Represent Reality through Their Cognitive Confrontation in Reality Kein Zugriff
6. 1. Fine Art and Science Are Different Cognitive Operations in Representing Reality Kein Zugriff
  2. Art and Science Are Different Modes of Representing Reality: “Aesthetically” and “Theoretically” Kein Zugriff
  3. Both Art and Science Prove the Truth of Their Representation of Reality and thus Have Truth in Beauty and Beauty in Truth Kein Zugriff
1. 1. The Idea of Modernism and the Enigma of the Postmodernist Conception of Art Kein Zugriff
  2. Understanding the Concept of Aesthetics as Artworks’ Mode of Representing Reality: A Re-examination of Art, Aesthetics, and the Truth and Beauty of Artworks Kein Zugriff
  3. The Epistemology of Artistic Creation and Evaluation of Artworks and How the Postmodern Capitalist Economy and Culture Fetishized the Cognitive Role of Art and Its Value Kein Zugriff
2. 1. Picasso’s Work as a Modernist: The Aesthetic Representation of Reality as He Understood It Kein Zugriff
  2. Picasso as a Modern Artist Looking for and Working with True New Genres to Represent Reality Kein Zugriff
  3. Picasso as a Modernist Creating New Genres to Aesthetically Represent His Modern Reality Kein Zugriff
3. 1. Picasso’s Realism in Distinction from Duchamp’s Formalist Elimination of Aesthetic Artworks Kein Zugriff
  2. Programmatic Manifestations and Practices of Avant-Garde Art Movements: Symbolism, Cubism, Dada, Surrealism, Abstract Art and Conceptual Art Kein Zugriff
  3. Pragmaticist Epistemology of Creating and Evaluating Artworks Reveals That Historical Theories of Art and Artist Movements Manifest Only Some Aspects of Art Kein Zugriff
4. 1. “Conceptual Art and Imageless Truth”: No Art without Iconic and Indexical Imagination and Aesthetic Representation Kein Zugriff
  2. The Epistemology of Conceptual Art is to Interpret Concepts in Objects, but the Conceptualists Do Not Create Artistic Aesthetic True Representations of Reality Kein Zugriff
  3. The Epistemology of “Conceptual Art” is of Artifacts and Entertainment and Not of Art as a True Aesthetic Representation of Reality Kein Zugriff
5. 1. The Beauty of Artwork is Its Proved True Aesthetic Representation of Reality Being the Artistic Mode of Knowledge of the Aesthetic Science Kein Zugriff
  2. How the Commercial Price of the Artworks Affects Their Spiritual and Aesthetic Significance: The Late Capitalist Economy and Its Race for Money Endangers the Creation of Art Kein Zugriff
  3. The Difficulties with Conceptual Art: If a Work of Art Exemplifies Concepts, it is an Interpretation and Not an Aesthetic Representation of Reality Kein Zugriff
6. 1. The Epistemological Concept of Art and Its Beauty: Are Artistic Avant-Garde Movements Creating Art or Pseudo-Art? Kein Zugriff
  2. Aesthetic Science of Art is Equivalent to Other Normative Sciences (Theoretical and Ethical) as Different Modes of Knowing Reality, Proven in Relative Proof-Conditions Kein Zugriff
  3. Historical epochs of artistic representations of reality: Changes in genre and style reflect shifts in artists’ intellectual and aesthetic understanding of their current reality Kein Zugriff
1. Introduction: The Beauty of Music, Mathematics, and Humans Kein Zugriff
2. 1. The Riddle of the Appreciation of Musical Compositions Is How We Understand Its Meaning Kein Zugriff
  2. The Endeavor to Epistemically Explain the Creation of Musical Artistic Compositions Kein Zugriff
  3. The Epistemology of Interpreting and Understanding the Aesthetic Truth and Beauty of Music Kein Zugriff
3. 1. Truth and Beauty of Mathematics and How They Proceed in Mathematical Proofs Kein Zugriff
  2. Can Mathematics Be a Pure Science or Rather an Empirical Representation of Reality and What Are Its Proofs? Kein Zugriff
  3. The Epistemic Role of Aesthetic Factors of Beauty in Mathematical Proofs of Meaning and Truth Kein Zugriff
4. 1. The Beauty of the Human Being Is the Expression of One’s True Ethical Humanly Nature Kein Zugriff
  2. The Two Meanings of Beauty of Persons: Phenomenal and Real-internal Spirit of the Soul Kein Zugriff
  3. The Reciprocal Relation of the Representation of One’s Essential Beauty, Its True Humanity and Interpretation by Others Kein Zugriff
References Kein Zugriff Seiten 325 - 338
Index Kein Zugriff Seiten 339 - 354
About the Author Kein Zugriff Seiten 355 - 356

On Beauty of Artworks as Aesthetic True Representations of Reality

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