Tony Soprano's America
Gangsters, Guns, and Money- Autor:innen:
- |
- Verlag:
- 2017
Zusammenfassung
Widely regarded as one of the greatest television series of all time, The Sopranos is also considered one of the most significant achievements in contemporary American culture. IThe series spearheaded the launch of a new wave of quality programming that has transformed the way people watch, experience, and talk about television. By chronicling the life and crimes of a New Jersey mobster, his family, and his cronies, The Sopranos examines deep themes at the heart of American life, particularly the country’s seedy underbelly.
In Tony Soprano’s America: Gangsters, Guns, and Money, M. Keith Booker and Isra Daraiseh explore the central role of the series in American cultural history. While examining the elements that account for the show’s popularity and critical acclaim, the authors also contend that The Sopranos revolutionized the way audiences viewed television in general and cable programming as well. This book demonstrates how a show focused on an ethnic antihero somehow reflected common themes of contemporary American life, including ethnicity, class, capitalism, therapy, and family dynamics.
Providing a sophisticated yet accessible account of the groundbreaking series—a show that rivals film and literature for its beauty and stunning characterization of modern life—this book engages the reader with ideas central to the American experience. Tony Soprano’s America brings to life this profound television program in ways that will entertain, engage, and perhaps even challenge longtime viewers and critics.
Schlagworte
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Bibliographische Angaben
- Copyrightjahr
- 2017
- ISBN-Print
- 978-1-4422-7322-1
- ISBN-Online
- 978-1-4422-7323-8
- Verlag
- Rowman & Littlefield, Lanham
- Sprache
- Englisch
- Seiten
- 237
- Produkttyp
- Monographie
Inhaltsverzeichnis
- Contents Kein Zugriff
- Introduction Kein Zugriff
- 1 It’s HBO and It’s Complicated Kein Zugriff Seiten 1 - 16
- 2 The Cultural Logic of The Sopranos Kein Zugriff Seiten 17 - 30
- 3 Cut to Black Kein Zugriff Seiten 31 - 46
- 4 Capitalism in The Sopranos Kein Zugriff Seiten 47 - 62
- 5 The Sopranos and the History of the Gangster Film Kein Zugriff Seiten 63 - 76
- 6 The Comic Incongruity of The Sopranos Kein Zugriff Seiten 77 - 94
- 7 Religion in The Sopranos Kein Zugriff Seiten 95 - 108
- 8 The Sopranos and the Spread of the Therapeutic Society Kein Zugriff Seiten 109 - 124
- 9 The Sopranos and the Decline of the American Family Kein Zugriff Seiten 125 - 138
- 10 The Sopranos and the Decline of American Manhood Kein Zugriff Seiten 139 - 154
- 11 Women in The Sopranos Kein Zugriff Seiten 155 - 168
- 12 Representing the FBI in The Sopranos Kein Zugriff Seiten 169 - 182
- 13 The Sopranos and Postethnic America Kein Zugriff Seiten 183 - 196
- 14 The Working Class and The Sopranos Kein Zugriff Seiten 197 - 210
- Conclusion Kein Zugriff Seiten 211 - 214
- Notes Kein Zugriff Seiten 215 - 228
- Works Cited Kein Zugriff Seiten 229 - 232
- Index Kein Zugriff Seiten 233 - 236
- About the Authors Kein Zugriff Seiten 237 - 237





