Intensities and Lines of Flight
Deleuze/Guattari and the Arts- Herausgeber:innen:
- | |
- Verlag:
- 2014
Zusammenfassung
The writings of Gilles Deleuze and Felix Guattari offer the most enduring and controversial contributions to the theory and practice of art in post-war Continental thought. However, these writings are both so wide-ranging and so challenging that much of the synoptic work on Deleuzo-Guattarian aesthetics has taken the form of sympathetic exegesis, rather than critical appraisal.
This rich and original collection of essays, authored by both major Deleuzian scholars and practicing artists and curators, offers an important critique of Deleuze and Guattari's legacy in relation to a multitude of art forms, including painting, cinema, television, music, architecture, literature, drawing, and installation art. Inspired by the implications of Deleuze and Guattari's work on difference and multiplicity and with a focus on the intersection of theory and practice, the book represents a major interdisciplinary contribution to Deleuze-Guattarian aesthetics.
Schlagworte
Publikation durchsuchen
Bibliographische Angaben
- Copyrightjahr
- 2014
- ISBN-Print
- 978-1-78348-031-9
- ISBN-Online
- 978-1-78348-033-3
- Verlag
- Rowman & Littlefield, Lanham
- Sprache
- Englisch
- Seiten
- 226
- Produkttyp
- Sammelband
Inhaltsverzeichnis
- Contents Kein Zugriff
- Abbreviations Kein Zugriff
- Introduction Kein Zugriff Seiten 1 - 10
- Chapter One: The Role and Place of Art in Deleuze’s Philosophy Kein Zugriff
- Chapter Two: Do Sheets of Past Exist? Kein Zugriff
- Chapter Three: Deleuze on the Musical Work of Art Kein Zugriff
- Chapter Four: Deleuze and Guattari, Architecturality and Performance Kein Zugriff
- Chapter Five: Concepts and Colours Kein Zugriff
- Chapter Six: Birth in Beauty and the Power of Sensation Kein Zugriff
- Chapter Seven: Drawing Out Deleuze Kein Zugriff
- Chapter Eight: Radical Finitude—Difference as Strategy Kein Zugriff
- Chapter Nine: Transversal Television: For Guattari, by Kafka Kein Zugriff
- Chapter Ten: “In Any Event”: A “Literary Resonance” between Painting and Architecture Kein Zugriff
- Chapter Eleven: Working on a Diagonal: Towards a New Image of Architectural History Kein Zugriff
- Chapter Twelve: The Becoming-Human of Buffalo Bill Kein Zugriff
- Conclusion Kein Zugriff Seiten 207 - 212
- Index Kein Zugriff Seiten 213 - 222
- Notes on the Contributors Kein Zugriff Seiten 223 - 226





