Audiovisual Disruption

Pedro Ferreira

doi:10.14361/9783839474167

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Bibliographic data

Copyright year: 2024
ISBN-Print: 978-3-8376-7416-3
ISBN-Online: 978-3-8394-7416-7
Publisher: transcript, Bielefeld
Series: Image
Volume: 252
Language: German
Pages: 198
Product type: Book Titles

FrontmatterPages 1 - 6 Download chapter (PDF)
ContentsPages 7 - 10 Download chapter (PDF)
Figures No access Pages 11 - 14
Purpose No access Pages 17 - 17
Methodology No access Pages 17 - 18
Significance No access Pages 19 - 20
Overview No access Pages 20 - 24
Audiovisual Arts and Audiovisuology No access Pages 25 - 28
Origins of the Term Post-Digital No access Pages 28 - 34
Post-Digital Aesthetics and Condition No access Pages 34 - 37
Post-media No access Pages 38 - 43
Post-internet No access Pages 43 - 44
New aesthetic No access Pages 45 - 46
Analogue Atoms + Digital Bits = Post-digital Hybridisation No access Pages 46 - 49
Digital Art No access Pages 49 - 53
On digital media No access Pages 54 - 54
Within digital media No access Pages 54 - 55
In-between digital and non-digital media No access Pages 55 - 55
Off digital media No access Pages 55 - 56
Summary No access Pages 56 - 58
The aesthetics of failures No access Pages 60 - 63
The critical role of glitch No access Pages 63 - 65
Summary No access Pages 65 - 66
The aesthetics of saturation No access Pages 66 - 67
Queering digital media No access Pages 67 - 70
Summary No access Pages 70 - 70
The aesthetics of hybridisation No access Pages 71 - 72
Beyond the screen No access Pages 72 - 74
Summary No access Pages 75 - 75
The aesthetics of repurposing No access Pages 76 - 77
Neo-analogue turn as resistance No access Pages 77 - 78
Materiality and the tangibility of film No access Pages 78 - 82
Repurposing and resurrecting media No access Pages 82 - 83
Analogue-digital media assemblages No access Pages 83 - 85
Summary No access Pages 85 - 86
Comparing the Post-Digital Aesthetics No access Pages 86 - 88
Critical making as a process-oriented practice No access Pages 91 - 91
Making through a hands-on approach No access Pages 94 - 95
Critically-made art No access Pages 96 - 97
Post-digital hybridisation No access Pages 97 - 97
Entanglement No access Pages 98 - 100
Summary No access Pages 100 - 102
The computational society No access Pages 104 - 105
Electricity and non-human agency No access Pages 105 - 105
Album and archive of electronics’ noise No access Pages 106 - 108
Live performance No access Pages 108 - 109
Data overload recovery No access Pages 109 - 109
The cloud materiality and its obfuscation No access Pages 110 - 112
The normalisation of surveillance capitalism No access Pages 112 - 113
Navigating the foggy environment of the cloud No access Pages 114 - 118
The corporate web and digital folklore No access Pages 118 - 119
Vlogging because I’m so bored No access Pages 119 - 120
I’m so bored so I decided to make a vlog No access Pages 120 - 121
Boredom vlogging patterns No access Pages 121 - 123
Let there be more boredom No access Pages 123 - 123
An introduction to electronic waste No access Pages 124 - 125
Computation and computational media No access Pages 125 - 127
Digital media (im)materiality No access Pages 127 - 127
The constellation of digital media materiality No access Pages 127 - 128
Can you defeat planned obsolescence? No access Pages 128 - 129
The detritus of digital media technologies No access Pages 129 - 131
Sensing and smartness devices No access Pages 132 - 133
Nonsense apparatus No access Pages 133 - 134
Rematerialising the invisible forces of big tech No access Pages 134 - 136
Speculations on future landscapes and contemporary anxieties No access Pages 137 - 138
Repurposing analogue media and analogue-digital media hybrids No access Pages 138 - 140
Environment and matter No access Pages 140 - 141
Summary No access Pages 141 - 144
Conclusion: Rethinking Post-Digital Audiovisual Arts No access Pages 145 - 150
Acknowledgements No access Pages 151 - 152
Datox No access Pages 153 - 153
On a Scroll Through the Cloud No access Pages 153 - 154
Things I Do When I’m Bored No access Pages 154 - 154
Debris No access Pages 154 - 154
Deep Touch No access Pages 154 - 155
All to Sand Returns No access Pages 155 - 156
Bibliography No access Pages 157 - 168
Notes No access Pages 169 - 191
Understanding the Post-Digital Condition Through Practice-Based Research No access Pages 191 - 197
Conclusion: Rethinking Post-Digital Audiovisual Arts No access Pages 197 - 198