Musicological history and sociology can no longer be regarded as terra incognita. However the structures of thought and networks of musicological research - which would appear as areas and borders on the corresponding scholarly maps - remain strangely blurred: how does (musicological) knowledge production interact with previous generations, networks and structures of thought? This volume aims to provide historically informed research into the scholarship of musicology that is grounded in the sociology of academia. The essays uncover connections between power and knowledge, connections which relate to findings from other fields, and can be transferred onto broader sociocultural contexts.
