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Derridada
Duchamp as Readymade Deconstruction
Authors:
Publisher:
2008
Summary
Jacques Derrida said that deconstruction 'takes place everywhere.' Derridada reexamines the work of artist Marcel Duchamp as one of these places. Tucker suggests that Duchamp belongs to deconstruction as much as deconstruction belongs to Duchamp. Both bear the infra-thin mark of the other. He explores these marks through the themes of time and diffZrance, language and the readymade, and the construction of self-identity through art. This book will be of interest to students and scholars interested in Modernism and the avant-garde. It will be useful for undergraduate students of art history, modernism, and critical theory, as well as for graduate students of philosophy, visual culture studies, and art theory.
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Bibliographic data
Edition
1/2008
Copyright Year
2008
ISBN-Print
978-0-7391-1622-7
ISBN-Online
978-0-7391-4584-5
Publisher
Lexington, Lanham
Language
English
Pages
102
Product Type
Monograph
Table of contents
ChapterPages
Dedication Page No access
Table of Contents No access
Chapter One: A Time for Deconstruction No access Pages 1 - 16
Chapter Two: Ashes to Dust, Dust to Ashes No access Pages 17 - 38
Chapter Three: Indifférance No access Pages 39 - 68
Chapter Four: Personas No access Pages 69 - 82
Notes No access Pages 83 - 96
Bibliography No access Pages 97 - 100
Index No access Pages 101 - 102
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