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Derridada
Duchamp as Readymade Deconstruction- Authors:
- Publisher:
- 2008
Summary
Jacques Derrida said that deconstruction 'takes place everywhere.' Derridada reexamines the work of artist Marcel Duchamp as one of these places. Tucker suggests that Duchamp belongs to deconstruction as much as deconstruction belongs to Duchamp. Both bear the infra-thin mark of the other. He explores these marks through the themes of time and diffZrance, language and the readymade, and the construction of self-identity through art. This book will be of interest to students and scholars interested in Modernism and the avant-garde. It will be useful for undergraduate students of art history, modernism, and critical theory, as well as for graduate students of philosophy, visual culture studies, and art theory.
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Bibliographic data
- Copyright year
- 2008
- ISBN-Print
- 978-0-7391-1622-7
- ISBN-Online
- 978-0-7391-4584-5
- Publisher
- Lexington, Lanham
- Language
- English
- Pages
- 102
- Product type
- Book Titles
Table of contents
ChapterPages
- Dedication Page No access
- Table of Contents No access
- Chapter One: A Time for Deconstruction No access Pages 1 - 16
- Chapter Two: Ashes to Dust, Dust to Ashes No access Pages 17 - 38
- Chapter Three: Indifférance No access Pages 39 - 68
- Chapter Four: Personas No access Pages 69 - 82
- Notes No access Pages 83 - 96
- Bibliography No access Pages 97 - 100
- Index No access Pages 101 - 102





