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Artistic Bedfellows

Histories, Theories and Conversations in Collaborative Art Practices
Editors:
Publisher:
 2008

Summary

Artistic Bedfellows is an international interdisciplinary collection of historical essays, critical papers, case studies, interviews, and comments from scholars and practitioners that shed new light on the growing field of collaborative art. This collection examines the field of collaborative art broadly, while asking specific questions with regard to the issues of interdisciplinary and cultural difference, as well as the psychological and political complexity of collaboration. The diversity of approach is needed in the current multimedia and cross disciplinarily world of art. This reader is designed to stimulate thought and discussion for anyone interested in this growing field and practice.



Bibliographic data

Copyright year
2008
ISBN-Print
978-0-7618-4064-0
ISBN-Online
978-0-7618-4191-3
Publisher
Hamilton Books, Lanham
Language
English
Pages
340
Product type
Edited Book

Table of contents

ChapterPages
    1. Contents No access
    2. Acknowledgments No access
    3. Introduction No access
    1. Chapter 01. The Decoration of the Paris Panthéon by Paul Chenavard—A Particular Brotherhood No access
    2. Chapter 02. The Calling of Two Creatures: Depression-era Collaboration and a Theory of Camera and Pen No access
    3. Chapter 03. Creative Occupation: Collaborative Artistic Practices in Europe 1937–1943 No access
    4. Chapter 04. Collaborative Practices in Environmental Art No access
    5. Chapter 05. Concepts of Collaborative Art in the Divided Germany of the 1960s No access
    6. Chapter 06. “Avant-femme” or Futuristic Frauen: Collaborative Art by Women in the German Democratic Republic No access
    7. Chapter 07. The Second Self No access
    8. Chapter 08. “Encompassing Unboundedness”: Desire and Collaborative Authorship in Carla Harryman and Lyn Hejinian’s “The Wide Road” No access
    9. Chapter 09. An Easy Alliance: A Dialogue on Methodology No access
    10. Chapter 10. Learning from Robert Venturi and Denise Scott Brown No access
    11. Chapter 11. Languages of Innovation No access
    12. Chapter 12. Working Together No access
    13. Chapter 13. Ken Friedman: A Life in Fluxus No access
    14. Chapter 14. Temporary Bedfellows: Claes Oldenburg, Maurice Tuchman No access
    15. Chapter 15. The Ivory Towers Were Always Connected: Interdisciplinary Dia(b)logues as Challenge and Chance No access
    16. Chapter 16. Socially Engaged Art, Critics, and Discontents: An Interview with Claire Bishop No access
    17. Chapter 17. “Detrimental to the Interests of the United States”: Cuban Artists (Not) in Residence No access
    18. Chapter 18. Suzanne Lacy: Oakland Projects No access
    19. Chapter 19. Simonides in the Machine: The Art of Virtual Memory in a Pentagon-funded Initiative No access
    20. Chapter 20. Locating a Temporary Common Space: Cultural Exchanges in Weedpatch No access
    21. Chapter 21. “Sometimes I’m Harvey Weinstein; Sometimes I’m Wes Craven. The Same Goes For My Brother.” The Neistat Brothers No access
    22. Chapter 22. Having Their Cake and Eating It Too: The Case of Christo’s (and Jeanne-Claude’s) Im(permanence) and Exclusivity No access
    23. Chapter 23. The Wu-wei of the 21st Century Art of Collaboration No access
    24. Chapter 24. What is Conversational Music or “Convers”? No access
    1. Chapter 25. Some Thoughts on Collaboration No access
    2. Chapter 26. The Electron Buddy System No access
    3. Chapter 27. I Always Appreciated Teamworkand Collaborations No access
    4. Chapter 28. The Dream of a Common Language: Thoughts on Collaboration and Protest No access
    5. Chapter 29. Observations onCollective Cultural Action No access
    6. Chapter 30. New Social Art School No access
    7. Chapter 31. Complicity No access
    8. Chapter 32. Transromantik No access
    9. Chapter 33. Collaboration No access
    10. Chapter 34. “This Way Up”: Concept and Progress No access
    11. Chapter 35. Online Collaboration in Genomic Art No access
    12. Chapter 36. A Robot and Its Double No access
    13. Chapter 37. Art.es and Collaborative Projects No access
    14. Chapter 38. My Collaborative Art No access
    15. Chapter 39. Collaboration between Tracey Snelling and Salvador Diaz, Chicago, March 2005 No access
    16. Chapter 40. “i-Woz” and Gina No access
    17. Chapter 41. On Collaboration No access
  1. Index No access Pages 317 - 330
  2. Contributors No access Pages 331 - 340

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