Remaking Red Classics in Post-Mao China
TV Drama as Popular Media- Authors:
- Publisher:
- 2021
Summary
In the 1990s, China’s economic reform campaign reached a new high. Amid the eager adoption of capitalism, however, the spectre of revolution re-emerged. Red Classics, a historic-revolutionary themed genre created in the high socialist era were widely taken up again in television drama adaptations. They have since remained a permanent feature of TV repertoire well into the 2010s. Remaking Red Classics in Post-Mao China looks at the how the revolutionary experience is represented and consumed in the reform era. It examines the adaptation of Red Classics as a result of the dynamic interplay between television stations, media censorship and social sentiment of the populace. How the story of revolution was reinvented to appeal and entertain a new generation provides important clues to the understanding of transformation of class, gender, locality and faith in contemporary China.
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Bibliographic data
- Edition
- 1/2021
- Copyright year
- 2021
- ISBN-Print
- 978-1-78660-925-0
- ISBN-Online
- 978-1-78660-926-7
- Publisher
- Rowman & Littlefield, Lanham
- Language
- English
- Pages
- 182
- Product type
- Book Titles
Table of contents
- Contents No access Pages i - vi
- Acknowledgments No access Pages vii - viii
- Introduction: Revolution and TV Drama No access Pages ix - xxiv
- Chapter 1 No access Pages 1 - 20
- Chapter 2 No access Pages 21 - 40
- Chapter 3 No access Pages 41 - 56
- Chapter 4 No access Pages 57 - 76
- Chapter 5 No access Pages 77 - 96
- Chapter 6 No access Pages 97 - 112
- Conclusion No access Pages 113 - 122
- Notes No access Pages 123 - 146
- Filmography No access Pages 147 - 156
- Bibliography No access Pages 157 - 170
- Index No access Pages 171 - 182





