Modern British Symphonies: Komponieren zwischen Identitätsdiskursen und Gattungskonventionen

Dorothea Hilzinger

doi:10.5771/9783967078039

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Edition: 1/2024
Copyright Year: 2024
ISBN-Print: 9783967078022
ISBN-Online: 978-3-96707-803-9
Publisher: edition t+k, München
Language: German
Pages: 475
Product Type: Monograph

Titelei/Inhaltsverzeichnis No access Pages 2 - 8
1. Problem und Forschungsstand No access
2. Zu den Kontexten (Teil I: Being a Modern British Symphonic Composer) No access
3. Abgrenzung des Gegenstands (Teil II: Modern British Symphonies) No access
1. 1. 1.1 British Musical MODERNITY No access
  2. 1.2 British MUSICAL Modernity No access
  3. 1.3 BRITISH Musical Modernity No access
2. 1. 1. 2.1.1 »In Search of England« – Konzepte von Englishness No access
    2. 2.1.2 Cultural Englishness No access
    3. 2.1.3 »Now, I am rather in the dark as to what ›English‹ music really is« – Zum Umgang mit Englishness in der Musik No access
  2. 1. 2.2.1 Sichtbar machen: »My final argument that an English school does exist shall take the form of a mere list of names« No access
    2. 2.2.2 Gattungsfragen: »The tendency of modern young men […] is towards the orchestra and the larger forms of music.« No access
    3. 2.2.3 Englishness von innen: »And what is the English temperament? If one could answer that, one could define what the English school of music should be.« No access
    4. 2.2.4 Englishness nach außen: »a certain cosmopolitanism […] must be accepted as part of the national genius« No access
3. 1. 3.1 Made in England: The Royal Schools of Music No access
  2. 1. 3.2.1 About »a most unhealthy boom in freak-music« – Frederick Corder als Kompositionsprofessor an der RAM und Autor von Lehrwerken No access
    2. 3.2.2 Charles Hubert Hastings Parry: Musikhistoriograf mit gesellschaftlicher Verantwortung No access
    3. 3.2.3 Evolution und Musikhistoriografie No access
    4. 3.2.4 »One who knows his business« – Charles Villiers Stanford als Kompositionsprofessor am RCM No access
4. 1. 4.1 Symphonien im Konzertleben der Jahrhundertwende No access
  2. 4.2 What a Symphony should be like No access
1. 1. 1.1 Transnationalism Frederic Cowen: Scandinavian Symphony (1880) No access
  2. 1.2 Folk Songs Charles Villiers Stanford: Symphony in F Minor The Irish (1887) No access
2. 1. 2.1 Landscape Gustav Holst: »The Cotswolds« Symphony in F major (1900) No access
  2. 2.2 The Sea Ralph Vaughan Williams: A Sea Symphony (1909/10) – John Blackwood McEwen: Solway. A Symphony (1911/12) – Arthur Somervell: Symphony in D minor. »Thalassa« (1912) – Granville Bantock: Hebri... No access
  3. 2.3 The Metropolis Ralph Vaughan Williams: A London Symphony (1913) No access
3. 1. 3.1 Reflective Conservatism and Diatonicism Charles Villiers Stanford: Symphony No 7 in D minor op. 124 (1912) No access
  2. 3.2 Time, Emotions and Form Hubert Parry: Symphonic Fantasia in B minor. 1912. A Symphony in four linked movements (1912) No access
  3. 3.3 Nobilmente and Modernity Edward Elgar: Symphony No 1 in A flat Major op. 55 (1908) No access
Fazit: Composing Modernity No access Pages 426 - 431
Abkürzungsverzeichnis No access Pages 432 - 434
Literaturverzeichnis No access Pages 435 - 475