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Singing Down the Barriers
A Guide to Centering African American Song for Concert Performers- Authors:
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- Publisher:
- 2023
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Bibliographic data
- Copyright year
- 2023
- ISBN-Print
- 978-1-5381-6991-9
- ISBN-Online
- 978-1-5381-6993-3
- Publisher
- Rowman & Littlefield, Lanham
- Language
- English
- Pages
- 173
- Product type
- Book Titles
Table of contents
ChapterPages
- Contents No access
- List of Figures No access
- Acknowledgments No access
- Preface No access
- Introduction What Is the “Singing Down the Barriers” Project? No access
- Antebellum Black Americans and Their Musical World No access
- Antebellum White Americans and the Origins of Blackface Minstrelsy No access
- Emancipation and Reconstruction No access
- A Curated Early Twentieth-Century Timeline No access
- The Promise of a New Century: The Pursuit of Education, Respect, and Economic Autonomy No access
- Interracial Collaborations and the Birth of a Music Economy Based on Black Music No access
- Reality Sets In: Barriers from Stereotypes, Segregation, and Jim Crow No access
- The New Negro and Vocal Concert Music No access
- Jazz: Swing to Bebop No access
- Popular Music: Rhythm and Blues to Rock and Roll No access
- Concert Music: Barriers of Racism, Classicism, and Politics No access
- Civil Rights and the Concert Hall No access
- The 1970s and Beyond: Black Song in a “Colorblind” Culture No access
- The Twenty-First Century: Walk the Walk, Sing the Songs No access
- Pedagogy No access
- Performance No access
- Informed Research No access
- Community Engagement No access
- Teaching What We Know: How the Academy Assigns Value and Replicates Established Hierarchies No access
- Culture and the Canon No access
- Entry Points for Centering Black Composers of Classic Song and Opera: Acknowledging the Academy as a Historically White Space No access
- Getting to Know You: Amy Beach and Florence Price No access
- Influence and Inspiration: The Beauty of Shared Culture No access
- Rich Man, Poor Man No access
- A Tale of Two Bobs No access
- Spirituals as Common Ground: Creating a Pathway to Learning History through a Black Lens No access
- Entering the Black Space of the Concert Spiritual with Cultural Humility and Knowledge No access
- Black Theology No access
- Notes on Performance Practice No access
- Two Arrangements of “Ride On, King Jesus”: H.T. Burleigh and Hall Johnson No access
- Two Arrangements of “Deep River”: J. Rosamond Johnson and Moses Hogan No access
- Spirituals as a Path to Non-Classical Genres in the Voice Studio No access
- Case Studies in Popular Song: Learning Contemporary Musical Theatre Vocalism, Style, and Musicianship from the Greats of Jazz, R&B, Soul, and Gospel No access
- Allyship No access
- Randye Jones No access
- Reinaldo Moya No access
- Glendower Jones No access
- Lifelong Education and the Role of Cultural Humility No access
- Permission and Shared Responsibility No access
- Informed Performance Practice No access
- Developing Deep Listening Skills No access
- Entering Group Discussions No access
- Living Allyship through Action: Activities for Faculty and Administrators No access
- Learning Outcomes No access
- Classroom Activities No access
- Research Projects No access
- Artistry with an American Accent: Creative Programming Ideas No access
- Community Arts Education No access
- Research and Performance Preparation No access
- Discussing Race-Specific Performance Projects No access
- Setting the Table: Guest Speakers, Teaching Artists, and Cultural Bearers No access
- Creating Audiences and Equal Opportunities No access
- Relationship Building toward Networking No access
- Attending Concerts in the Community No access
- Final Thoughts No access
- Selected Bibliography and Resources No access Pages 151 - 156
- Selected Song Anthologies and Collections No access Pages 157 - 158
- Glossary No access Pages 159 - 162
- Index No access Pages 163 - 172
- About the Authors No access Pages 173 - 173





