Using the example of the painter Helene Funke, Anna Storm analyzes strategies of appropriation in painting and discusses their emancipatory implications in the male-dominated art scene of the early 20th century.
This work is protected by copyright and may only be used in accordance with the provisions of the Terms of Use and License Agreement. Any use of the work beyond this is expressly prohibited and will be prosecuted.
We welcome your feedback on content and features. Your message helps us to continuously improve our service.
