Situating Global Art. An Introduction No access Pages 11 - 32
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Spectres of 1989: On some Misconceptions of the ''Globality'' in and of Contemporary Art No access Pages 35 - 52
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The Scrim, The Pistol, and the Lectern: Dis-Situating the Global Contemporary No access Pages 53 - 62
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The Aesthetics of Irony as a Form of Resistance: Zhang Peili in "Harmonious Society, 天下無事" No access Pages 63 - 74
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"A Collage of Globalization" in Documenta11''s Exhibition Catalogue No access Pages 75 - 88
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Lacing Places: Situationist Practices and Socio-Political Strategies in Korean Urban Art Projects No access Pages 91 - 110
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Gulf Labor: The Boycott as Political Activism and Institutional Critique No access Pages 111 - 128
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You Can''t Always Curate Your Way Out! Reflections on the Ghetto Biennale No access Pages 129 - 154
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Generation 00: The Artist as Citizen No access Pages 155 - 164
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How Far How Near: A Global Assemblage in the Modern Art Museum No access Pages 167 - 190
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Of Maps, Nodes and Trajectories: Changing Topologies in Transcultural Curating No access Pages 191 - 212
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Curating as Transcultural Practice. documenta 12 and the "Migration of Form" No access Pages 213 - 230
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Exhibiting Contemporary Moroccan Art: Situated Curatorial Narratives and Institutional Frames of Globalization No access Pages 231 - 252
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The Art of Globalization / The Globalization of Art: Creating Trans-national, Interethnic, Cross- Gender and Interspecies Identities in the 3D Work of Miao Xiaochun No access Pages 255 - 274
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Transculturally Entangled - Qiu Zhijie''s Concept of Total Art No access Pages 275 - 288
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Globalization as an Artistic Strategy: The Case of Takashi Murakami No access Pages 289 - 300
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The Blind Spot of Global Art? Hans Ulrich Obrist''s Ways of Curating No access Pages 301 - 326
