In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception.
Situating Global Art. An Introduction Kein Zugriff Seiten 11 - 32
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Spectres of 1989: On some Misconceptions of the ''Globality'' in and of Contemporary Art Kein Zugriff Seiten 35 - 52
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The Scrim, The Pistol, and the Lectern: Dis-Situating the Global Contemporary Kein Zugriff Seiten 53 - 62
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The Aesthetics of Irony as a Form of Resistance: Zhang Peili in "Harmonious Society, 天下無事" Kein Zugriff Seiten 63 - 74
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"A Collage of Globalization" in Documenta11''s Exhibition Catalogue Kein Zugriff Seiten 75 - 88
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Lacing Places: Situationist Practices and Socio-Political Strategies in Korean Urban Art Projects Kein Zugriff Seiten 91 - 110
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Gulf Labor: The Boycott as Political Activism and Institutional Critique Kein Zugriff Seiten 111 - 128
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You Can''t Always Curate Your Way Out! Reflections on the Ghetto Biennale Kein Zugriff Seiten 129 - 154
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Generation 00: The Artist as Citizen Kein Zugriff Seiten 155 - 164
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How Far How Near: A Global Assemblage in the Modern Art Museum Kein Zugriff Seiten 167 - 190
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Of Maps, Nodes and Trajectories: Changing Topologies in Transcultural Curating Kein Zugriff Seiten 191 - 212
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Curating as Transcultural Practice. documenta 12 and the "Migration of Form" Kein Zugriff Seiten 213 - 230
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Exhibiting Contemporary Moroccan Art: Situated Curatorial Narratives and Institutional Frames of Globalization Kein Zugriff Seiten 231 - 252
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The Art of Globalization / The Globalization of Art: Creating Trans-national, Interethnic, Cross- Gender and Interspecies Identities in the 3D Work of Miao Xiaochun Kein Zugriff Seiten 255 - 274
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Transculturally Entangled - Qiu Zhijie''s Concept of Total Art Kein Zugriff Seiten 275 - 288
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Globalization as an Artistic Strategy: The Case of Takashi Murakami Kein Zugriff Seiten 289 - 300
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The Blind Spot of Global Art? Hans Ulrich Obrist''s Ways of Curating Kein Zugriff Seiten 301 - 326
