We generally use the term 'wild' to designate the unrestrained and foreign in contrast to the controlled and known. But is the boundary between the wild and the civilized really so clearly drawn? Where does the fascination with the wild that exists in many forms of current design such as piercings, tribal tattoos, `ethnic' and safari fashion and the animal print actually come from? Is wildness perhaps a product of civilization and thereby a projection space for fears and desires? The contributors to this volume examine and critically reflect on the extent to which art and design since the 1800s have also contributed to our understanding of the 'wild'.
Wilde Dinge in Kunst und Design No access Pages 8 - 29 Gerald Schröder, Christina Threuter
Das Interieur als Bühne No access Pages 30 - 59 Astrid Silvia Schönhagen
Wohnhöhlen und Beduinenzelte No access Pages 60 - 79 Christiane Keim
Bodies of Subversion? No access Pages 80 - 97 Sabine Kampmann
Wilde Mode No access Pages 98 - 117 Alexandra Karentzos
Wilde Muster No access Pages 118 - 135 Änne Söll
Wilde Assemblagen No access Pages 136 - 173 Gerald Schröder
Samuel Fosso No access Pages 174 - 189 Heidi Helmhold
Federköpfe No access Pages 190 - 205 Christina Threuter
Vicious No access Pages 206 - 221 Elke Gaugele
Kreativität und Terrorismus No access Pages 222 - 243 Friedrich Weltzien
Schönhässlich No access Pages 244 - 261 Annette Geiger
Vergesichtung des Grauens No access Pages 262 - 281 Florian Kornrumpf
Walk on the wild side No access Pages 282 - 303 Jessica Ullrich, Christiane Keim, Florian Kornrumpf, Heidi Helmhold, Annette Geiger, Astrid Silvia Schönhagen, Sabine Kampmann, Friedrich Weltzien, Alexandra Karentzos, Elke Gaugele, Änne Söll
Die Autorinnen und Autoren No access Pages 304 - 312 Gerald Schröder, Christina Threuter
