The Other Fridas

Luciana Namorato; Debora Thome; João Nemi Neto

doi:10.5771/9781666963052

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Bibliographic data

Copyright year: 2025
ISBN-Print: 978-1-6669-6304-5
ISBN-Online: 978-1-6669-6305-2
Publisher: Lexington, Lanham
Language: English
Pages: 266
Product type: Edited Book

1. Dedication No access
2. Contents No access
3. Acknowledgments No access
1. State of Affairs: Women and the Western Artistic Canon No access
2. Art Produced by Women No access
3. Latin American Female Artists and the Multiple Stereotype No access
4. Latin American Artists, Together, Reach Their Audience No access
5. The Other Fridas Project: Latin American Art through the Lens of Gender No access
6. About This Volume No access
7. Notes No access
8. Works Cited No access
1. 1. Vida (Life) No access
  2. Trabajo (Work) No access
  3. Legado (Legacy) No access
  4. Notes No access
  5. Works Cited No access
2. 1. Notes No access
  2. Works Cited No access
3. 1. A Revelation in the Art World of Puerto Rico No access
  2. “A Complete Artist” No access
  3. A Multifaceted Artist No access
  4. A Twisted Account No access
  5. Recovering an Artistic Icon No access
  6. Notes No access
  7. Works Cited No access
4. 1. Afro-Cuban Religions: A Multinational Identity No access
  2. Belkis Ayón and Sikán Kien No access
  3. Beyond the Fambá Room No access
  4. Notes No access
  5. Works Cited No access
5. 1. Notes No access
  2. Works Cited No access
1. 1. Notes No access
  2. Works Cited No access
2. 1. Notes No access
  2. Works Cited No access
3. 1. Writing in Diaspora: Postcolonial at Home and Abroad No access
  2. Writing Back: Postcolonial Ambivalence and the Black Tradition No access
  3. Envoi: From Dutch to Dutch/Caribbean/American No access
  4. Notes No access
  5. Works Cited No access
4. 1. Notes No access
  2. Works Cited No access
1. 1. Notes No access
  2. Works Cited No access
2. 1. The Decisive Turn (1960–1970): Cristina Gálvez, Anna Maccagno, and Amelia Weiss No access
  2. Deconstructing the Body (1980–1990): Alina Canziani, Marta Cisneros, and Johanna Hamann No access
  3. The Experience of the Body (2000–2010): Nani Cárdenas, Carolina Rieckhof, Raura Oblitas, and Nancy La Rosa No access
  4. Ancient Knowledge, Contemporary Meanings: Hilda and Verónica Cachi No access
  5. Conclusion No access
  6. Notes No access
  7. Works Cited No access
3. 1. Redeeming Memories of Pain through Neo-Baroque Aesthetics No access
  2. Notes No access
  3. Works Cited No access
1. 1. The African Diaspora in Cinema No access
  2. Afro-Latinas in Cinema No access
  3. 1. Sônia Braga No access
  4. 1. Sara Gómez No access
  5. Conclusion: Two Women, Two Stories No access
  6. Notes No access
  7. Works Cited No access
2. 1. Nineteenth-Century Theatrical Scene: Rivalry between Two Theater Companies No access
  2. Writing for the Theater: Published Translations and Manuscripts No access
  3. The Newspaper as the Stage: Starring Velluti and Her Work No access
  4. Gender and Criticism: Being a Woman Dramatist in Nineteenth-Century Brazil No access
  5. Curtains Closed: A Body Resists No access
  6. Notes No access
  7. Works Cited No access
3. 1. Lygia Clark and Her Work No access
  2. Baba antropofágica and Canibalismo No access
  3. The Tender Melancholic Cannibal and Cannibal Theory No access
  4. Last Words No access
  5. Notes No access
  6. Works Cited No access
1. 1. The Mother, the Aunt, and the Boss No access
  2. Teachers and Partners No access
  3. The Heirs No access
  4. Conclusion No access
  5. Notes No access
  6. Works Cited No access
Index No access Pages 251 - 260
1. Editors No access
2. Contributors No access