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Postnational Musical Identities
Cultural Production, Distribution, and Consumption in a Globalized Scenario
Editors:
|
Publisher:
2007
Summary
Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization. 'Hybridity,' 'postnationalism,' 'transnationalism,' 'globalization,' 'diaspora,' and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped the way musical productions have been marketed worldwide in recent times. While the construction of identities occupies a central position in this context, there are discrepancies between the conceptualization of music as an extremely fluid phenomenon and the traditionally monovalent notion of identity to which it has historically been incorporated. As such, music has always been linked to the construction of regional and national identities. The essays in this collection seek to explore the role of music, networks of music distribution, music markets, music consumption, music production, and music scholarship in the articulation of postnational sites of identification.
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Bibliographic data
Edition
1/2007
Copyright Year
2007
ISBN-Print
978-0-7391-1821-4
ISBN-Online
978-0-7391-5937-8
Publisher
Lexington, Lanham
Language
English
Pages
240
Product Type
Edited Book
Table of contents
ChapterPages
Contents No access
Preface No access
Chapter 1 Introduction: The Postnational Turn in Music Scholarship and Music Marketing No access
Chapter 2 Nationalist and Postnationalist Perspectives in American Musicology No access
Chapter 3 Productive Orientalisms: Imagining Noise and Silence Across the Pacific, 1957-1967 No access
Chapter 4 The Miamization of Latin-American Pop Music No access
Chapter 5 Nostalgia and the Negotiation of Dislocated Identities: Puerto Rican Boleros in New York and Nuyorican Poetry No access
Chapter 6 Ideology, Flux, and Identity in Tijuana's Nor-tec Music No access
Chapter 7 Quest for the Local: Building Musical Ties between Mexico and the United States No access
Chapter 8 Assimilation, Reclamation, and Rejection of the Nation-State Chicano Musicians No access
Chapter 9 Rockln' Ia Frontera: Mexican Rock, Globalization, and National Identity No access
Chapter 10 Before and After Samba: Modernity, Cosmopolitanism and Popular Music in Rio de Janeiro at the Beginning and End of the Twentieth Century No access
Chapter 11 The "Afro-Colombianization" of Hip-Hop and Discourses on Authenticity No access
Chapter 12 Transnational Soundscapes: Ambient Music and Bossatrônica No access
