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Conducting and Rehearsing the Instrumental Music Ensemble

Scenarios, Priorities, Strategies, Essentials, and Repertoire
Authors:
Publisher:
 2012

Summary

Conducting and Rehearsing the Instrumental Music Ensemble is the most comprehensive guide on the rehearsalprocess for conducting instrumental music ensembles. Ideal for the advanced instrumental music conductor seeking to look beyond basic conducting technique, this work breaks the multidimensional activity of working with an ensemble, orchestra, or band into its constituent components. Advanced students of conducting will find within the full range of conducting activities: • Chapters on the infrastructure of the rehearsal, the rehearsal environment, 10 rehearsal essentials, score study, music imagery, inner singing, and rehearsal procedures (with an emphasis on an integrated approach to rehearsing) • The technical priorities of intonation and tuning, rhythm patterns, ensemble sonority (tone, balance, blend, color and texture), and articulation • The musical priorities of tempo and ensemble precision, phrasing and the musical line, style and interpretation, dynamics and musical expression • Emphasizing the expectations of 21st-century conductors, the challenges of conducting and rehearsing contemporary music, preparing conductor profiles and self-evaluations, and moving from the rehearsal process to concert performance Conducting and Rehearsing the Instrumental Music Ensemble is a great resource for teachers and students of conducting, as well as current conductors wishing to further hone their skills.



Bibliographic data

Copyright year
2012
ISBN-Print
978-0-8108-8260-7
ISBN-Online
978-0-8108-8261-4
Publisher
Rowman & Littlefield, Lanham
Language
English
Pages
502
Product type
Book Titles

Table of contents

ChapterPages
    1. Contents No access
    2. Preface No access
    3. Acknowledgments No access
    1. Chapter One. The Rehearsal Scenario: Infrastructure and Process No access
    2. Chapter Two. Creating the Rehearsal: Environment and Climate No access
    3. Chapter Three. The Ten Essentials of the Rehearsal Process Scenario No access
    1. Chapter Four. Conducting Technique No access
    2. Chapter Five. Score Study, Music Imagery, and Inner Singing No access
    3. Chapter Six. Rehearsal Segments and Procedures No access
    4. Chapter Seven. An Integrated Approach to Rehearsing No access
    1. Chapter Eight. Intonation and Tuning No access
    2. Chapter Nine. Rhythms and Rhythm Patterns No access
    3. Chapter Ten. Ensemble Sonority: Tone, Balance, Blend, Color, and Texture No access
    4. Chapter Eleven. Articulation and Bowing No access
    1. Chapter Twelve. Tempo and Ensemble Precision No access
    2. Chapter Thirteen. Phrasing and the Musical Line No access
    3. Chapter Fourteen. Style and Musical Interpretation No access
    4. Chapter Fifteen. Dynamics, Nuances, and Musical Expression No access
    1. Chapter Sixteen. Conducting and Rehearsing Contemporary Music No access
    2. Chapter Seventeen. Conductor Profile and Self-Evaluation No access
    3. Chapter Eighteen. Coda: From Rehearsal Process to Concert Performance No access
  1. Appendix A. Score Study and Program Building with Standard Repertoire No access Pages 377 - 422
  2. Appendix B. An Outline of Conducting and Rehearsing Problems No access Pages 423 - 428
  3. Appendix C. An Outline of Technical Problems Encountered in the Ensemble Rehearsal Process No access Pages 429 - 436
  4. Appendix D. Instrumental Techniques, Intonation Problems/Solutions, and Special Effects for the Individual Instruments No access Pages 437 - 444
  5. Appendix E. Recommended Conducting and Rehearsing Videos No access Pages 445 - 454
  6. Appendix F. Student Project Evaluations (Conducting and Rehearsing) No access Pages 455 - 472
  7. Appendix G. Listening and Score Study Analysis Assignment Forms No access Pages 473 - 474
  8. Appendix H. Creating the Rehearsal Process (Lab) Environment in the Conducting Curriculum No access Pages 475 - 482
  9. Appendix I. Class Activities, Discussions, Demonstrations, Projects, and Assignments for Advanced Conductors No access Pages 483 - 484
  10. Bibliography No access Pages 485 - 490
  11. Index No access Pages 491 - 500
  12. About the Author No access Pages 501 - 502

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