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Forensic Musicology and the Blurred Lines of Federal Copyright History
- Authors:
- Publisher:
- 2020
Summary
Drawing on interdisciplinary research methods from musicological and legal scholarship, this book maps the historical terrain of forensic musicology. It examines the contributions of musical expert witnesses, their analytical techniques, and the issues they encounter assisting courts in clarifying the blurred lines of music copyright.
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Bibliographic data
- Copyright year
- 2020
- ISBN-Print
- 978-1-7936-1940-2
- ISBN-Online
- 978-1-7936-1941-9
- Publisher
- Lexington, Lanham
- Language
- English
- Pages
- 192
- Product type
- Book Titles
Table of contents
ChapterPages
- Contents No access
- List of Figures No access
- Acknowledgments No access
- Introduction No access Pages 1 - 12
- Chapter 1 The Foundations of Music Copyright Law and Musical Expertise No access Pages 13 - 32
- Chapter 2 Judges, Experts, and Ordinary Listeners No access Pages 33 - 58
- Chapter 3 Arnstein, Krofft, and the Narrowing Role of Expertise No access Pages 59 - 88
- Chapter 4 The Problems with Arnstein and Krofft No access Pages 89 - 116
- Chapter 5 Sampling Cases and the Digital Audio Revolution No access Pages 117 - 136
- Chapter 6 New Standards of Musical Expertise No access Pages 137 - 158
- Conclusion No access Pages 159 - 174
- Bibliography No access Pages 175 - 182
- Index No access Pages 183 - 190
- About the Author No access Pages 191 - 192





