4. Modernist Reception of Japanese and Indian Traditional Music between 1910 and 1945: Delage, Cowell, Mitsukuri, and HayasakaPages 82 - 113 Download chapter (PDF)
5. Re-Reading the Impact of the "Cultural Cold War" on Music History: Cowell, Mayuzumi, BerioPages 114 - 135 Download chapter (PDF)
6. Categories of Intercultural Reception in Western CompositionPages 135 - 154 Download chapter (PDF)
1. The Reception of Western Modernism in the Music of China and Japan Since the Late Nineteenth CenturyPages 155 - 167 Download chapter (PDF)
2. Triggering Musical Modernism in China: The Work of Wolfgang Fraenkel in Shanghai ExilePages 167 - 194 Download chapter (PDF)
3. The Travels of a Jasmine Flower: A Chinese Folk Song, Its Prehistory, and Tan Dun''s Symphony 1997Pages 194 - 205 Download chapter (PDF)
4. Probing the Compositional Relevance of Cultural Difference: Key Tendencies of East Asian New Music Since the 1950sPages 206 - 235 Download chapter (PDF)
5. Intercultural Narrativity in East Asian Art Music since the 1990sPages 235 - 263 Download chapter (PDF)
6. The Impact of Traditional Music on Composition in Taiwan since the Postwar PeriodPages 263 - 288 Download chapter (PDF)
1. Transformation and Myth Criticism in Works for the Japanese Mouth OrganPages 289 - 308 Download chapter (PDF)
2. The shō as a Medium of Alterity and Self-Referentiality in Helmut Lachenmann''s MusicPages 308 - 336 Download chapter (PDF)
1. The Rediscovery of Presence: Intercultural Passages Through Vocal Spaces Between Speech and SongPages 337 - 362 Download chapter (PDF)
2. Space-Time Movements in György Ligeti''s Piano Concerto: Polymeter and Conflicting Meter in Historical and Intercultural PerspectivePages 363 - 384 Download chapter (PDF)
3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical MeaningPages 385 - 392 Download chapter (PDF)
1. Layered Fabric, Intertextuality, and Cultural Context: From Striated to Open SpacePages 393 - 402 Download chapter (PDF)
