Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally – a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic.
4. Modernist Reception of Japanese and Indian Traditional Music between 1910 and 1945: Delage, Cowell, Mitsukuri, and HayasakaSeiten 82 - 113 Download Kapitel (PDF)
5. Re-Reading the Impact of the "Cultural Cold War" on Music History: Cowell, Mayuzumi, BerioSeiten 114 - 135 Download Kapitel (PDF)
6. Categories of Intercultural Reception in Western CompositionSeiten 135 - 154 Download Kapitel (PDF)
1. The Reception of Western Modernism in the Music of China and Japan Since the Late Nineteenth CenturySeiten 155 - 167 Download Kapitel (PDF)
2. Triggering Musical Modernism in China: The Work of Wolfgang Fraenkel in Shanghai ExileSeiten 167 - 194 Download Kapitel (PDF)
3. The Travels of a Jasmine Flower: A Chinese Folk Song, Its Prehistory, and Tan Dun''s Symphony 1997Seiten 194 - 205 Download Kapitel (PDF)
4. Probing the Compositional Relevance of Cultural Difference: Key Tendencies of East Asian New Music Since the 1950sSeiten 206 - 235 Download Kapitel (PDF)
5. Intercultural Narrativity in East Asian Art Music since the 1990sSeiten 235 - 263 Download Kapitel (PDF)
6. The Impact of Traditional Music on Composition in Taiwan since the Postwar PeriodSeiten 263 - 288 Download Kapitel (PDF)
1. Transformation and Myth Criticism in Works for the Japanese Mouth OrganSeiten 289 - 308 Download Kapitel (PDF)
2. The shō as a Medium of Alterity and Self-Referentiality in Helmut Lachenmann''s MusicSeiten 308 - 336 Download Kapitel (PDF)
1. The Rediscovery of Presence: Intercultural Passages Through Vocal Spaces Between Speech and SongSeiten 337 - 362 Download Kapitel (PDF)
2. Space-Time Movements in György Ligeti''s Piano Concerto: Polymeter and Conflicting Meter in Historical and Intercultural PerspectiveSeiten 363 - 384 Download Kapitel (PDF)
3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical MeaningSeiten 385 - 392 Download Kapitel (PDF)
1. Layered Fabric, Intertextuality, and Cultural Context: From Striated to Open SpaceSeiten 393 - 402 Download Kapitel (PDF)
