Heavy Music Mothers
Extreme Identities, Narrative Disruptions- Authors:
- |
- Publisher:
- 2023
Summary
Heavy Music Mothers: Extreme Identities, Narrative Disruptions is an exploration of women and heavy music and the ways in which women have historically engaged with musicking as mothers. Julie Turley and Joan Jocson-Singh, musicking mothers themselves, largely employ an ethnographic lens, foregrounded in powerful one-on-one original interviews as vignettes that narrate thematic patterns. Other chapters examine motherhood identity embedded in respective published rock music memoirs, discussions of rock performance as a site of maternal bonding, and themes that arise when heavy music mothers write about motherhood. Autoethnographic portions throughout give the book an intimate and personal tone: one such chapter presents the concept of vigilante motherhood within an auto-ethnographic context. The authors reference the book’s limitations, meditating on historically marginalized moms the authors predict and hope the focus will be on for the future. Heavy Music Mothers is a robust study of women and motherhood set within a music culture historically inhospitable to both women and mothers. This book, the first scholarly study of this topic, is just the beginning.
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Bibliographic data
- Copyright year
- 2023
- ISBN-Print
- 978-1-6669-1615-7
- ISBN-Online
- 978-1-6669-1616-4
- Publisher
- Lexington, Lanham
- Language
- English
- Pages
- 130
- Product type
- Book Titles
Table of contents
- Contents No access
- Acknowledgments No access
- Introduction No access
- Mother Framing No access Pages 1 - 8
- The Stories We Tell No access Pages 9 - 54
- The Rock Mom Memoir No access Pages 55 - 78
- Vigilante Motherhood No access Pages 79 - 84
- Daughters on Rock Moms No access Pages 85 - 94
- Mother Tracks No access Pages 95 - 108
- Conclusion No access Pages 109 - 114
- References No access Pages 115 - 120
- Index No access Pages 121 - 128
- About the Authors No access Pages 129 - 130





