Inexorable Modernity
Japan's Grappling with Modernity in the Arts- Editors:
- Publisher:
- 2007
Summary
Beginning in late Edo, the Japanese faced a rapidly and irreversibly changing world in which industrialization, westernization, and internationalization was exerting pressure upon an entrenched traditional culture. The Japanese themselves felt threatened by Western powers, with their sense of superiority and military might. Yet, the Japanese were more prepared to meet this challenge than was thought at the time, and they used a variety of strategies to address the tension between modernity and tradition. Inexorable Modernity illuminates our understanding of how Japan has dealt with modernity and of what mechanisms, universal and local, we can attribute to the mode of negotiation between tradition and modernity in three major forms of art-theater, the visual arts, and literature. Dr. Hiroshi Nara brings together a thoughtful collection of essays that demonstrate that traditional and modern approaches to life feed off of one other, and tradition, whether real or created, was sought out in order to find a way to live with the burden of modernity. Inexorable Modernity is a valuable and enlightening read for those interested in Asian studies and history.
Search publication
Bibliographic data
- Copyright year
- 2007
- ISBN-Print
- 978-0-7391-1841-2
- ISBN-Online
- 978-0-7391-5637-7
- Publisher
- Lexington, Lanham
- Language
- English
- Pages
- 269
- Product type
- Edited Book
Table of contents
- Contents No access
- List of Tables and Figures No access
- Editor's Note No access
- Acknowledgments No access
- Introduction: Inexorable Modernity HIROSHI NARA No access Pages 1 - 14
- CHAPTER 1 Potentially Disruptive: Censorship and the Painter Kawanabe Kōysai BRENDA G. JORDAN No access
- CHAPTER 2 "Modernité in Art": Kojima Kikuo's Critique of Contemporary Japanese Painting, 1931-1940 MIKIKO HIRAYAMA No access
- CHAPTER 3 The Ascent of Yōga in Modern Japan and the Pacific War MAYU TSURUYA No access
- CHAPTER 4 Art and Ethics in Watsuji Tetsuro's Philosophy HIROSHI NARA No access
- CHAPTER 5 Contesting Authority through Comic Disruption: Mixed Marriages as Metaphor in Postwar Kyōgen Experiments JONAH SALZ No access
- CHAPTER 6 An Aesthetic of Destruction: Mishima Yukio's My Friend Hitler DAVID G. GOODMAN No access
- CHAPTER 7 Remembered Idylls, Forgotten Truths: Nostalgia and Geography in the Drama of Shimizu Kunio DAVID JORTNER No access
- CHAPTER 8 Healing the (Metaphysically) Sick (Theatre): The Buddhist Ibsen in Christian Japan KEVIN J. WETMORE JR. No access
- CHAPTER 9 The Wild Geese Revisited: Mori Ōgai's Mix of Old and New KEIKO I. MCDONALD No access
- CHAPTER 10 Public Space and the Nature of Modern Fiction: Izumi Kyōka's Noble Blood, Heroic Blood CHARLES SHIRO INOUYE No access
- CHAPTER 11 Yokomitsu Riichi's Two Machines JOHN K. GILLESPIE No access
- Index No access Pages 255 - 266
- Contributors No access Pages 267 - 269





