"Living in a Material World," Contemplating the Immaterial One—Musings on What Sounds Can Actually Tell Us, or NotPages 15 - 30 Emile Wennekes Download chapter (PDF)
The (Re)Construction of Communicative Pasts in the Digital AgePages 31 - 50 Christian Schwarzenegger Download chapter (PDF)
The Narratological Architecture of Musical lieux de mémoirePages 51 - 80 Matej Santi Download chapter (PDF)
Beethoven in 1970, Bernstein and the ORF: Cultural Memory and the AudiovisualPages 81 - 106 Klaus Illmayer, John Corner, Franziska Diehr, Julia Jaklin, Johann Lurf, David M. Weigl, Hanns-Werner Heister, Christian Schwarzenegger, Werner Goebl, Rasmus Greiner, Emile Wennekes, Winfried Pauleit, Birgit Haberpeuntner Download chapter (PDF)
''Real Sound,'' Readymade, Handmade: Musical Material and the Medium Between Mechanization, Automation, and Digitalization as an Impression and Expression of RealityPages 119 - 150 Hanns-Werner Heister Download chapter (PDF)
Sonic Icons in A Song Is Born (1948): A Model for an Audio History of FilmPages 151 - 168 Winfried Pauleit Download chapter (PDF)
The Production, Reception and Cultural Transfer of Operetta on Early Sound FilmPages 169 - 182 Derek B. Scott Download chapter (PDF)
The Address of the Ear: Music and History in Waltz with BashirPages 183 - 196 Rasmus Greiner Download chapter (PDF)
"I''ve never understood the passion for Schubert''s sentimental Viennese shit"—Using Metadata to Capture the Contexts of Film MusicPages 197 - 216 Elias Berner Download chapter (PDF)
Connecting Research: The Interdisciplinary Potential of Digital Analysis in the Context of A. Kluge''s Televisual CorpusPages 217 - 240 Klaus Illmayer, Birgit Haberpeuntner Download chapter (PDF)
Modelling in Digital Humanities: An Introduction to Methods and Practices of Knowledge RepresentationPages 241 - 262 Franziska Diehr Download chapter (PDF)
Playing with a Web of Music: Connecting and Enriching Online Music RepositoriesPages 263 - 282 David M. Weigl, Werner Goebl Download chapter (PDF)
