Music and sound shape the emotional content of audio-visual media and carry different meanings. This volume considers audio-visual material as a primary source for historiography. By analyzing how the same sounds are used in different media contexts at different times, the contributors intend to challenge the linear perspective of (music) history based on canonic authority. The book discusses AV-Documents (analysis in context), methodological questions (implications for research, education, and popularization of knowledge), archives of cultural memory (from the perspective of Cultural Studies) as well as digitalization and its consequences (organization of knowledge).
"Living in a Material World," Contemplating the Immaterial One—Musings on What Sounds Can Actually Tell Us, or NotSeiten 15 - 30 Emile Wennekes Download Kapitel (PDF)
The (Re)Construction of Communicative Pasts in the Digital AgeSeiten 31 - 50 Christian Schwarzenegger Download Kapitel (PDF)
The Narratological Architecture of Musical lieux de mémoireSeiten 51 - 80 Matej Santi Download Kapitel (PDF)
Beethoven in 1970, Bernstein and the ORF: Cultural Memory and the AudiovisualSeiten 81 - 106 Klaus Illmayer, John Corner, Franziska Diehr, Julia Jaklin, Johann Lurf, David M. Weigl, Hanns-Werner Heister, Christian Schwarzenegger, Werner Goebl, Rasmus Greiner, Emile Wennekes, Winfried Pauleit, Birgit Haberpeuntner Download Kapitel (PDF)
''Real Sound,'' Readymade, Handmade: Musical Material and the Medium Between Mechanization, Automation, and Digitalization as an Impression and Expression of RealitySeiten 119 - 150 Hanns-Werner Heister Download Kapitel (PDF)
Sonic Icons in A Song Is Born (1948): A Model for an Audio History of FilmSeiten 151 - 168 Winfried Pauleit Download Kapitel (PDF)
The Production, Reception and Cultural Transfer of Operetta on Early Sound FilmSeiten 169 - 182 Derek B. Scott Download Kapitel (PDF)
The Address of the Ear: Music and History in Waltz with BashirSeiten 183 - 196 Rasmus Greiner Download Kapitel (PDF)
"I''ve never understood the passion for Schubert''s sentimental Viennese shit"—Using Metadata to Capture the Contexts of Film MusicSeiten 197 - 216 Elias Berner Download Kapitel (PDF)
Connecting Research: The Interdisciplinary Potential of Digital Analysis in the Context of A. Kluge''s Televisual CorpusSeiten 217 - 240 Klaus Illmayer, Birgit Haberpeuntner Download Kapitel (PDF)
Modelling in Digital Humanities: An Introduction to Methods and Practices of Knowledge RepresentationSeiten 241 - 262 Franziska Diehr Download Kapitel (PDF)
Playing with a Web of Music: Connecting and Enriching Online Music RepositoriesSeiten 263 - 282 David M. Weigl, Werner Goebl Download Kapitel (PDF)
A Few Notes on the Auditive Layer of the FilmSeiten 283 - 286 Johann Lurf Download Kapitel (PDF)
