Vokale Performancekunst als feministische Praxis

Marie-Anne Kohl

doi:10.14361/9783839432235

Summary

This book delves into the artistic force field in downtown New York in the 1960s and '70s, and into the singular work of Meredith Monk, one of the most important pioneers of vocal performance art.

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Bibliographic data

Copyright year: 2015
ISBN-Print: 978-3-8376-3223-1
ISBN-Online: 978-3-8394-3223-5
Publisher: transcript, Bielefeld
Series: Musik und Klangkultur
Volume: 15
Language: German
Pages: 430
Product type: Book Titles

FrontmatterPages 1 - 4 Download chapter (PDF)
InhaltPages 5 - 8 Download chapter (PDF)
0. Einleitung No access Pages 9 - 22
Abbildung 1.2: Stadtplan Downtown New York: "Vessel - An Opera Epic" No access Pages 25 - 26
I.1 "Vessel - An Opera Epic" No access Pages 27 - 40
I.2 Vokale Performancekunst No access Pages 41 - 78
I.3 Performancekunst und feministisches Bewusstsein No access Pages 79 - 104
Abbildung 1.3: Stadtplan Downtown New York: Räume No access Pages 107 - 108
II.1 Downtown New York No access Pages 109 - 148
II.2 Downtowns Bausteine: Räume, Akteur_innen, künstlerische Praktiken No access Pages 149 - 260
Abbildung 1.4: Stadtplan Downtown New York: Meredith Monk No access Pages 263 - 264
III.1 Über Meredith Monk No access Pages 265 - 274
III.2 Monks vokale Performancekunst: Downtown-Praxis und feministische Praxis? No access Pages 275 - 320
III.3 Im Fokus No access Pages 321 - 364
III.4 Zusammenfassung No access Pages 365 - 368
IV.1 Rückblick No access Pages 371 - 372
IV.2 Ausblick No access Pages 373 - 378
Dank No access Pages 379 - 382
Quellen No access Pages 383 - 430