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Andreas Werckmeister's Musicalische Paradoxal-Discourse
A Well-Tempered Universe
Herausgeber:innen:
Verlag:
2017
Schlagworte
Publikation durchsuchen
Bibliographische Angaben
Copyrightjahr
2017
ISBN-Print
978-1-4985-6634-6
ISBN-Online
978-1-4985-6635-3
Verlag
Lexington, Lanham
Sprache
Englisch
Seiten
158
Produkttyp
Sammelband
Inhaltsverzeichnis
KapitelSeiten
Contents Kein Zugriff
Series Editor’s Foreword Kein Zugriff
Preface Kein Zugriff
Introduction to the Musicalische Paradoxal-Discourse Kein Zugriff
Werckmeister Biography Kein Zugriff
Werckmeister Treatises Kein Zugriff
Contents and Sources of the Musicalische Paradoxal-Discourse Kein Zugriff
Musical Paradoxical-Discourse, or uncommon expostulations Kein Zugriff
Preface Kein Zugriff
Index and contents of the chapters Kein Zugriff
CHAPTER ONE. An introduction to this work: the division of the musical proportions Kein Zugriff
CHAPTER TWO. A testimonial through mathematics and Holy Scriptures themselves, that the course of the heavens are harmonic Kein Zugriff
CHAPTER THREE. How the mortal body and soul are harmonically created, and furthermore, on the influence of the stars Kein Zugriff
CHAPTER FOUR. Why humans find such pleasure in music, and whence composers and musicians arise Kein Zugriff
CHAPTER FIVE. As the image of God, humans are to praise the Creator with music. Buildings and eras in scripture are also harmonic wonders of spiritual music Kein Zugriff
CHAPTER SIX. On the abuse of music, which the authorities could abolish Kein Zugriff
CHAPTER SEVEN. How the inclination of a people determines its attitude toward music, and how the heathens were so scattered in their views on music Kein Zugriff
CHAPTER EIGHT. On the music of the early Christians, and the subsequent changes Kein Zugriff
CHAPTER NINE. The great difficulties arising out of solmization and the linear staff system Kein Zugriff
CHAPTER TEN. Proof that the linear staff system is accompanied by great difficulties Kein Zugriff
CHAPTER ELEVEN. Proof of how everything can be played or sung through the twelve note-names Kein Zugriff
CHAPTER TWELVE. Further proof that the linear staff system has many more variants than the twelve note-names Kein Zugriff
CHAPTER THIRTEEN. How the temperaments can be examined, and on German tablature Kein Zugriff
CHAPTER FOURTEEN. How the chromatic system is to be applied to the tempered keyboard Kein Zugriff
CHAPTER FIFTEEN. On the disorder of hymn singing Kein Zugriff
CHAPTER SIXTEEN. On the simplicity of old organs Kein Zugriff
CHAPTER SEVENTEEN. How the musical modes can be differentiated Kein Zugriff
CHAPTER EIGHTEEN. On the nature and property of the harmonic numerals Kein Zugriff
CHAPTER NINETEEN. On the hidden meaning of the numerals Kein Zugriff
CHAPTER TWENTY. On the properties of the harmonic numerals, when they themselves are subdivided Kein Zugriff
CHAPTER TWENTY-ONE. On the subdivision of the harmonic numerals Kein Zugriff
CHAPTER TWENTY-TWO. On the properties of the dissonant musical numerals Kein Zugriff
CHAPTER TWENTY-THREE. How the harmonic radical numerals are transformed into a tempered tuning, and of their hidden meaning Kein Zugriff
CHAPTER TWENTY-FOUR. A comparison of incorrect tempered tuning with false Christianity Kein Zugriff
CHAPTER TWENTY-FIVE. How the temperament can be perfect or imperfect, and how the same can be compared with Christianity Kein Zugriff
CHAPTER TWENTY-SIX. The Lord’s Prayer in the musical proportional numerals Kein Zugriff
Bibliography Kein Zugriff Seiten 151 - 154
Index Kein Zugriff Seiten 155 - 156
About the Author Kein Zugriff Seiten 157 - 158
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