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Monographie Kein Zugriff

Performing the Posthuman

Re-Presenting Body-Voice Relationships in Posthuman Performances
Autor:innen:
Verlag:
 2021

Zusammenfassung

“Performing the Posthuman" ist eine Untersuchung über neu erfundene Darstellungen oder Re-Präsentationen von Körper-Stimme-Beziehungen in (Musik-)Theateraufführungen, die als posthuman bezeichnet werden können. Performance-Analysen legen die Art und Weise offen, in der diese Körper-Stimm-Beziehungen als Strategien zur theatralen Darstellung eines posthumanen Zustands verwendet werden. Durch die Kombination von neuen Theorien zum Posthumanismus, dem neuen Materialismus und neueren Erkenntnissen zur Konstruktion der Stimme, taucht die Studie in die Art und Weise ein, wie sowohl die Stimme als auch der Körper als schwebende Signifikanten in einer wechselseitigen und veränderlichen Beziehung behandelt werden können. Die Untersuchung der verschiedenen Arten, wie das Post-Humane aufgeführt wird, legt wiederkehrende Spannungen zwischen den Modi der Darstellung und Präsentation auf der Bühne frei.

Schlagworte

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Bibliographische Angaben

Auflage
1/2021
Copyrightjahr
2021
ISBN-Print
978-3-8288-4680-7
ISBN-Online
978-3-8288-7762-7
Verlag
Tectum, Baden-Baden
Reihe
AGent. New Theses in Performance Research
Band
10
Sprache
Englisch
Seiten
114
Produkttyp
Monographie

Inhaltsverzeichnis

KapitelSeiten
  1. Titelei/Inhaltsverzeichnis Kein Zugriff I - X
    1. The posthuman and new materialism Kein Zugriff
    2. A new materialist approach: the voice Kein Zugriff
    3. Chapter outline Kein Zugriff
      1. 1.1.1 The Internet of Things/Prometheus de Vuurbrenger Kein Zugriff
    2. 1.2 The body-voice gap Kein Zugriff
    3. 1.3 The thing and/as the body Kein Zugriff
      1. 1.4.1 The grain of the voice Kein Zugriff
      2. 1.4.2 Text to speech Kein Zugriff
      3. 1.4.3 When man and machine meet: the use of Auto Tune Kein Zugriff
    5. 1.5 Breaking the illusion: from presentation to representation Kein Zugriff
    6. 1.6 Conclusion: The Internet of Things Kein Zugriff
      1. 2.1.1 Death and the Powers Kein Zugriff
      1. 2.2.1 The chorus of Operabots Kein Zugriff
      1. 2.3.1 Body-voice relationship of a Disembodied Performance Kein Zugriff
    4. 2.4 The System as cybernetic posthumanism Kein Zugriff
    5. 2.5 Conclusion: Death and the Powers as postopera Kein Zugriff
    1. 3.1 Introduction Kein Zugriff
    2. 3.2 The ‘sincere’ objects of Kris Verdonck Kein Zugriff
      1. 3.3.1 The thing as body and sound as voice Kein Zugriff
    4. 3.4 Conclusion: A new spectatorship Kein Zugriff
  6. Conclusion. Performing the Posthuman Kein Zugriff 97 - 106
  7. Bibliography Kein Zugriff 107 - 114

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