Screening the Nonhuman
Representations of Animal Others in the Media- Herausgeber:innen:
- |
- Verlag:
- 2016
Zusammenfassung
Screening the Nonhuman draws connections between how animals represented on screen translate into reality. In doing so, the book demonstrates that consuming media is not a neutral act but rather a political one. The images humans consume have real world consequences for how animals are treated as actors, as pets, and in nature. The contributors propose that altering the representations of animals can change the way humans relate to non/humans. Our hope is for humans to generate more ethical relationships with non/humans, ultimately mediating reality both in terms of fiction and non-fiction. To achieve this end, film, television, advertisements, and social media are analyzed through an intersectional lens. But the book doesn’t stop here. Each author creates counter-representational strategies that promise to unweave the assumptions that have led to the mistreatment of humans and non/humans alike.
Schlagworte
Publikation durchsuchen
Bibliographische Angaben
- Copyrightjahr
- 2016
- ISBN-Print
- 978-1-4985-1374-6
- ISBN-Online
- 978-1-4985-1375-3
- Verlag
- Lexington, Lanham
- Sprache
- Englisch
- Seiten
- 213
- Produkttyp
- Sammelband
Inhaltsverzeichnis
- Table of Contents Kein Zugriff
- Acknowledgments Kein Zugriff
- Introduction: Critical Media Studies and Critical Animal Studies at the Crossroads Kein Zugriff
- Chapter 1: The Brown Wizard’s Unexpected Politics: Speciesist Fiction and the Ethics of The Hobbit Kein Zugriff
- Chapter 2: The Passing Faerie and the Transforming Raven: Animalized Compulsory Re-covery, Endurance, and Dis/ability in Maleficent Kein Zugriff
- Chapter 3: Jabbering Jaws: Reimagining Representations of Sharks Post-Jaws Kein Zugriff
- Chapter 4: Horseplay: Beastly Cinematic Performances in Steven Spielberg’s War Horse Kein Zugriff
- Chapter 5: Would Bugs Bunny Have Diabetes?: The Realistic Consequences of Cartoons for Non/Human Animals Kein Zugriff
- Chapter 6: I Am Legend (2007), U.S. Imperialism, and the Liminal Animality of “The Last Man” Kein Zugriff
- Chapter 7: Ape Anxiety: Intelligence, Human Supremacy, and Rise and Dawn of the Planet of the Apes Kein Zugriff
- Chapter 8: The Vicious Cycle of Disnification and Audience Demands: Representations of the Non/Human in Martin Rosen’s Watership Down (1978) and The Plague Dogs (1982) Kein Zugriff
- Chapter 9: The “Nature-Run-Amok” Cinema of the 1970s: Representation of Non/Human Animals in Frogs and Orca Kein Zugriff
- Chapter 10: Cyberbeasts: Substitution and Trivialization of the Non/Human Animal in Home Movies, Memes, and Video Games Kein Zugriff
- Chapter 11: Pet-Animals in the Concrete Jungle: Tales of Abandonment, Failures, and Sentimentality in San Hua and Twelve Nights Kein Zugriff
- Chapter 12: In Defense of Non/Humans: Mystification and Oppression in the Sports Mascoting Process Kein Zugriff
- Chapter 13: On Empathy, Anthropocentrism, and Rhetorical Tropes: An Analysis of Online “Save the Bees!” Campaign Images Kein Zugriff
- Index Kein Zugriff Seiten 201 - 206
- About the Contributors Kein Zugriff Seiten 207 - 213





